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Yesterday I was lucky enough to visit the old section of the town of Vittorio Veneto, in the region of Veneto, in Northeastern Italy. Present-day Vittorio Veneto is the result of the fusion of the municipalities of Ceneda and Serravalle after WWI.
The photos below are of the old Jewish ghetto of Ceneda, and the centro ( center or downtown) with its villas, park and piazzetta ( small piazza).
The Church pictured just below was a surprising find: it is the oldest churchsite I have ever visited, and dates from the IV century (!!!). The Church you see was rebuilt in 1400, a millennium after the first structure was erected. The timing boggles the mind: in 313 CE Constantine declared Christianity the official religion of the Roman Empire with the Edict of Milan, and on this site a church was built shortly thereafter.
Serravalle, like Treviso, the regional center of the prosperous region of Veneto, features frescoes on the façades of buildings. This is something fascinating that I learned during this trip (from my mom, who is from Treviso) Frescoes in Serravalle- a town of Roman origin-were not just relegated to the interior of churches, but graced the buildings’ street elevations and were painted by notable local artists. Most of the palazzi date from the 1400’s. What was depicted on them? Hard to say from what remains in Serravalle. I could discern some courtly scenes and patterns/coat of arms. Both here and in Treviso, the frescoes were plastered over during one of the bouts of the Plague, in a misguided effort to ‘disinfect’ homes.
The best part for me, as a flâneuse was walking through the many porticoes of Serravalle. Enjoy my flâneuring..
Posted in Architectural Photography, Architecture, architecture, art,poetry,writing, Artuesdays, History of Architecture, Lectures, Photography, Research, Traveling, wanderlust | Tagged Italia, Italy, medieval architecture, medieval italy, serravalle, veneto, vittorio veneto | Leave a Comment »
Venus is the brightest object in the sky after the Sun and the Moon, and sometimes looks like a bright star in the morning or evening sky.
Venus is one of the five planets that are visible with the naked eye. Due to its easy visibility, the ancient people were well aware of the planet’s existence. They also kept track of its movement in the sky.
Venus is 10 times brighter than Sirius, the brightest star in the sky. Venus’s clouds project the light of the Sun as a mirror would. In addition to Venus’s amazing luminosity is the origin of its name.
Venus derived its name from the Romans who religiously followed the Greek tradition. Venus is the Roman version of the Greek goddess, Aphrodite. The Roman and Greek goddess of love, beauty and fertility is Venus and therefore, the planet was named after her. Perhaps the fact that Venus is the brightest planet in the sky contributes to how it got its name. It is quite possible that the Romans found the brightness to be so enchanting that they felt it deserved to be named after the goddess of beauty and love. Furthermore, the Romans were aware of 7 bright objects that existed in the sky, moon, sun, and the 5 brightest planets. These planets were named after the most important gods. Due to Venus being a goddess of womanhood, all of the features on the planet, except for one, are named after women. The main craters, for example, are named after influential women that existed during various times. One of them is the famous ballerina, Anna Pavlova, who lived from 1881 to 1931. Sacajawea, the Native American tribeswoman who explored the West with Lewis and Clark, has a crater named after her as well. The greatest female poet of ancient Greece, Sappho, has a crater named after her too.
The planet Venus represents woman hood, pride, and love in many ways. The symbol for the planet Venus is the symbol of a circle with a cross at the bottom, which stands for being a woman.
‘There is still one of which you never speak.’
Marco Polo bowed his head.
‘Venice,’ the Khan said.
Marco smiled. ‘What else do you believe I have been talking to you about?’
The emperor did not turn a hair. ‘And yet I have never heard you mention that name.’
And Polo said: ‘Every time I describe a city I am saying something about Venice.’
Italo Calvino, Invisible Cities
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The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.
O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied, adhere to me?
O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.
I think heroic deeds were all conceiv’d in the open air, and all free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.
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