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Must Be Milano

January 9, 2017 by sketchbloom

Posted in Architectural Photography, Architecture, architecture, art,poetry,writing, History of Architecture, Le flâneur, Lectures, Milano Diaries, Photography, Urban Design | Tagged brera, duomo, Milan, Milano, Photography | 7 Comments

7 Responses

on January 9, 2017 at 11:22 am | Reply 76sanfermo

Belle, belle!
Quanto torni?
- on January 9, 2017 at 8:05 pm | Reply sketchbloom
  
  Ciao! Di sicuro per Natale 2018 ma magari prima!!
on January 9, 2017 at 5:20 pm | Reply itgelt

Lovely…

PS: seems like you have big boots. 🙂
- on January 9, 2017 at 8:04 pm | Reply sketchbloom
  
  Yes my winter/rain boots : )
  Happy you liked a ‘scorcio’ of my birth city!
  - on January 10, 2017 at 2:33 am | Reply itgelt
    
    Everything about Italy let alone Milan is beautiful. No question… Women, food, Arigo Sacchi coached team, everything except SS Lazio fans… 😉
on January 11, 2017 at 12:41 am | Reply Cori

bellissime foto della nostra amata città!
- on January 11, 2017 at 7:28 am | Reply sketchbloom
  
  Grazie Corinna!! E Benvenuta a SketchBloom! E’ stato un viaggio breve ma intensissimo. Good things in 2017! Lots of travel photography from past years to share… and soon sketches/painting:)

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My contribution to the #napkinsketch auction at NewSchool. Poem: Hablo de la Ciudad by Octavio Paz
{new} Favorite drawings, paintings, collages and handwork on SketchBloom

Barcelona Chairs by Mies Van De Rohe, 1929 @ the CED Library in Berkeley

Mare Mosso Act II. Graphite drawing by Gianni Aiello. Collage. March 18,2011

Mare Mosso Act III. Graphite and pen drawing by Gianni Aiello. Collag and pastel. March 19, 2011.

Final Twomoons Piece, Summer 2008

Casa Del Fascio, contrast corrected thru Photoshop, Como, 2007

Coffee Carrier (delle). Graphite on paper. Kuwait. January 2010

The funambulist. Ink drawing + digital collage. August 2011.

Pilot pen on paper. January 2011

Earth and Water. Beads and yarn. June 24, 2011

Ink on tracing paper. Kuwait, January 2010. The scene at the bottom is what I saw-or decided to see- at The Avenues, the most popular malla in Kuwait City. There is nothing like seeing photography and drawings from a trip abroad to make you realize all reality is subjective, and we choose to see what we want to. We just don’t realize it in our own backyard.

Persimmon- very quick pastel rendering. November 12, 2009.

Graphite on paper and magazine cutouts. December 27, 2010. Miti and Gianni Aiello.

Pencil and Watercolor on canvas

our very own coffee cart @ NewSchool: Cafe’ A la Carte

Pilot Pen on Paper. November 2009

Ink on hand.book paper. Paris, 2011.

The Fortress of Lost Time. Graphite on paper and magazine cutouts. December 27, 2010. Miti and Gianni Aiello.

Ink on Paper. Calabria, Italia. September 29, 2011.

Ink on Paper. December 2010.

Miniature Pomegranate. Watercolor on chocolate wrap. Kuwait. January 2010

Ink and watercolor on paper and tracing paper. A bit of digital manipulation. Feb. 09,2011.

Queen Califia’s Garden, Totem/Sculpture. Ink, color pencils and markers. 2009

Felt tip on paper. March 22, 2011.

Twomoons Wax Proof-modeled after concept sketch

Watercolor on paper. June 3, 2010

Ink on Paper. September 2009

Baggalini Red.

Waiting for Godot | Static Head. Digital Collage. May 5th, 2010

Ink on Paper. December 2010.

Watercolor and Graphite. November 12, 2009

Collage, Pilot Pen on Paper

Earth Henna, Eucalyptus Oil. May 2, 2010.

Platonic Solid Exercise. Graphite on Paper. 2007

The Sun, the Moon, and on there being no abstracts in life. Pencil, ink, watercolor on 4″X5″ canvas.2009

Concept for jewelry piece ‘twomoons’

July 27, San Diego Museum Of Art. The Age of Enlightenment – Gabrielle Emilie Le Tonnelier de Breuteuil, Marquise du Chatelet by Yinka Shonibare- Ink on hand.book paper

Dr. Gregory House. Watercolor on Paper. June 3, 2010
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No thanks. Digitally modified photograph. 2007
Drawings
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