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Archive for the ‘Venice Diaries’ Category

The Feast of the Redeemer (or Festa del Redentore) is one of the most important Holy days for Venetians. For one day the whole Basin of San Marco is transformed into an immense piazza/party with hundreds of boats and revelers enjoying dinner on the water and waiting for sunset. The religious day is held the third Sunday in July, and chronicled here is the day before.. the secular fête. I had seen a painting of Tintoretto depicting the yearly ceremony of the City of Venice’s marriage to the Sea.. and when my cousin, who is from nearby Mestre, told me he was invited to the Feast I suspected it would be a once-in-a lifetime occasion, and I begged him to let me tag along.

At night, beautiful fireworks light up the already dreamlike city of Venice. It is a dream within a dream ( lucid Venice) .. just like the hallucinatory Carnevale.

This tradition was started in medieval Venezia, in 1576, when a Feast was planned to celebrate the end of a particularly disastrous Plague (Venice suffered many) which killed more than 50,000. The painter Titian was amongst the perished. None other than Andrea Palladio was commissioned to build the Church of the Redentore, which was completed in 1576.

The Doge ( the Venetian ruler of the Imperial Serenissima) would walk on a bridge made of barges from Le Zattere area of Venice to the Redeemer Church each year.

There is no way that a camera, let alone a phone ( with, what I suspect a wet lens) on a moving boat could capture what the Redentore is, being surrounded by thousands underneath the summer night skies, all in love and in awe of one city. The energy of seeing a people dancing and celebrating on a sea of boats was awe-inducing ….but here I offer some impressions, pale comparisons to the live Lady at Night.

Just as wonderful as the Feast and the fireworks, was the ride through Canal Grande to admire nocturnal Venice. The Canal is only open to boats without resident permits once a year: on the day of the Festa del Redentore.

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Luna e Venere | Selene and Aphrodite | Chak Ek’ and Ix’Chel. Mestre, Italia, January 1st, 2016.




Venus is the brightest object in the sky after the Sun and the Moon, and sometimes looks like a bright star in the morning or evening sky.

Source: windows2universe.com



Venus is one of the five planets that are visible with the naked eye. Due to its easy visibility, the ancient people were well aware of the planet’s existence. They also kept track of its movement in the sky. 

Venus is 10 times brighter than Sirius, the brightest star in the sky. Venus’s clouds project the light of the Sun as a mirror would. In addition to Venus’s amazing luminosity is the origin of its name.
Venus derived its name from the Romans who religiously followed the Greek tradition. Venus is the Roman version of the Greek goddess, Aphrodite. The Roman and Greek goddess of love, beauty and fertility is Venus and therefore, the planet was named after her. Perhaps the fact that Venus is the brightest planet in the sky contributes to how it got its name. It is quite possible that the Romans found the brightness to be so enchanting that they felt it deserved to be named after the goddess of beauty and love. Furthermore, the Romans were aware of 7 bright objects that existed in the sky, moon, sun, and the 5 brightest planets. These planets were named after the most important gods. Due to Venus being a goddess of womanhood, all of the features on the planet, except for one, are named after women. The main craters, for example, are named after influential women that existed during various times. One of them is the famous ballerina, Anna Pavlova, who lived from 1881 to 1931. Sacajawea, the Native American tribeswoman who explored the West with Lewis and Clark, has a crater named after her as well. The greatest female poet of ancient Greece, Sappho, has a crater named after her too.  

The planet Venus represents woman hood, pride, and love in many ways. The symbol for the planet Venus is the symbol of a circle with a cross at the bottom, which stands for being a woman. 

Source: moonphases.info

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And, suddenly, you are gazing at the eternal sublime. Venice’s borders are the dream realms. This is a city that starts on water and ends in the soul. Venice is a portal between reality and myth. A city that is real, but also impossible. My little cousin declared, at ten years old, that ‘this is the most beautiful city in the whole world.’ In no other country man-made and natural Beauty is so entrenched with the national psyche and identity. Beauty is elevated as the greatest national virtue, privilege and asset. Beauty is Italy’s doctrine and her true religion. We are, after all, Il Bel Paese.
Venezia, Italia, January 1, 2017.



‘There is still one of which you never speak.’
Marco Polo bowed his head.
‘Venice,’ the Khan said.
Marco smiled. ‘What else do you believe I have been talking to you about?’
The emperor did not turn a hair. ‘And yet I have never heard you mention that name.’
And Polo said: ‘Every time I describe a city I am saying something about Venice.’

Italo Calvino, Invisible Cities





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