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Archive for August, 2010

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At the local Whole Foods. Couldn't resist.

Sensory overload for the coffee fiend at Whole Foods.
Can I take you all home with me?

A short, sweet poem for you today, like the piece of dark chocolate my friend Susan at Chi Chocolat used to place at the end of her black, strong espressos. A small indulgence, a titillating surprise.
Enjoy with coffee.

Finely Blended Love

by marandah

Sweet aroma; your skin
Your breath upon my chin

I offer my resolve
to drink you in

)
(
L__I

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Ink on paper, trace, digital collage. August 27,2010.

Ink on trace. August 27, 2010.

The spoils of Archangel Michael (the Archangel of Justice). Ink on paper. August 27,2010


From

St Loup’s secrets & lies:

All you have to do is take these lies and make them true…

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Let Me In. Graphite on paper. Image via Darrel Tank of the Five Pencil Methd

I ran into Darrel Tank’s Five Pencil Method  few weeks ago.  His work is breathtaking.

The site full of wonderful video tutorials, and in his blog, Darrel offers videos with step by step advice on submitted portraits. All I can say is I’m Jealous WOW.

I really just drew one portrait, my first — if we don’t count some self-portraits done as homework for drawing classes in college. And I don’t think we want to see that type of work here, or maybe yes, for giggles. Just so you know in one I was made-up like The Crow.  Oh yes there is also that whole other side of me

Just Go Grayscale And Call It ‘Art’

But all of this is just to shamelessly plug in this portrait that the photographer Dianna Ippolito took of yours truly last week. It will go on the Faculty wall of my school. And if a photo could ever make someone happy this is it, and I wanted to share it here, hoping you will overlook the fact that it is my photo:  it is the art of photography and catching a soul with a lens as well.

Moreover, I am losing my innocence and naivete’ as we speak, so good thing they were preserved here;)

Portrait by Dianna Ippolito

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From yesterday’s Rendering and Delineation Class. So proud of my color-wary students.


Queen Califia Session

Quen Califia Session II

Queen Califia III

Read the story of the mythical Queen Califia.
California is named after her!

See Niki St. Phalle Sculptural Garden ‘ Queen Califia’s Magical Garden’ in Kit Carson Park, Escondido, California.

Previous posts on the subject:
California and Califia
Listening to Baroque Music in San Francisco
Working with Color
Queen Califia’s Magical Garden {Continued}

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Found in an old book:

‘  Spend time sketching everyday

the outcome is not important

the time you spend sketching

is time you spend solving yourself. ‘

 

I’ve been organizing my school folders, and always find that decluttering frees up the space of the mind first of all, and readies it for new projects and enterprises (cool folders and Italian stationery also helps :)).

 Speaking of stationery, I would be remiss if I didn’t share this delicious site, Galison New York.

As usual, I have been pondering about the amount of projects I have, which are invariably inversely proportionate to the time available at a given moment (activity begets activity).

 My wise mother told me ‘Don’t you know writers take a month to write  a book, but years to gestate it’?

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And old-school Dietzgen Rotary Sharpener and years of graphite.

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Loose Rendering. Ink, watercolor, prismacolor pencils. August 2010.



Lately, I’ve favored the watercolor and pencil technique, but want to get back to working with markers.

I found these two great tutorials on marker renderings from my blog friend and Urban Sketcher extraordinaire Suzanne Cabrera at An [Open] Sketchbook: can’t wait to share them with my students!

{ Tutorial 1: Furniture/Fabric }

{ Tutorial 2: Interior Rendering }

As usual, the wonderful Color Drawing book by Doyle will provide a lifetime’s worth of lessons.


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Marker Test @ Queen Califia's Magical Garden

Initial Sketch. Felt tip on heavy bond (sketchbook) paper.

Felt Tip on Marker (Rag) Paper.

Applying Watercolor 1.

Applying Watercolor 2.

End of ession at site. 20 Minutes. Wanted to have a loose base of color.

Adding Pencils (Albrecht Durer- Made in Germany), texture, few days after.

Do you remember Niki St. Phalle’s ‘Queen Califia’s Magical Garden’?

Well, I went back with my students for some loose watercolor and pencil renderings.

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There are ‘doing’ days and there are ‘absorbing/thinking’ days. Today was the latter.

{ Here } is a wonderful Ted talk from the author of ‘Eat, Pray,Love’ on inspiration and its transcendence (thankyou to my friend Momen for sharing this). I must admit I was wary of the book, and of ‘jumping on the band wagon’, but through this talk I could see Elizabeth Gilbert, sans-hype: a brilliant thinker, enlighting, humorous, with not an ounce of self-importance. She reminded me of an academic, and I wonder if she ever taught: her caring and accessibility would make her a formidable teacher. I like to think, in another life, I would have met her, and we’d be fast friends.

It’s been couple of days filled with love, music, colors, soulful food, words, friendship. Eyes exposed to new sights, hands holding crafts and design objects, papers, manufactured desires. I have basked in the scent of hand-picked books, curated lives, and held manuscripts I know I will never have the time or chance to read.

May all your days be full of enchantment, wonder, and the humble realization that we are, all of us, forever perched on the edge of knowledge.  We can only gaze at this sea, be open to it- arms wide.

Trust that all that is meant for you to see, read, discover,and, yes, love will no doubt alight your path.

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Lamp. Kan Zaman Restaurant, San Francisco, Haight-Ashbury. Charcoal, Graphite and Ink. August 2010.




Serendipity: a stop at Amoeba Records, to buy some CD’s. Then dinner. Drawing *the same* subject as the CD cover, which I did not stop to look at, but my brain obviously recorded. As someone said, ‘ Everything’s connected.’

Musical Journeys:

Click to Andalucia

Click to teleport

Bought from Amoeba Records. Freshly imported for your pleasure.


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A rare Renée Magritte. La Poitrine. 1961

Renée Magritte. Irene.

Renée Magritte. Le tombeur des lutteurs. 1960

Renee Magritte. Eulogy of the Dialectic.

Renée Magritte. Personal Values. 1952

In my search, I stumbled upon Myriam Mahiques, who shares some thoughts on Magritte, and Immateriality in Painting and Architecture.

Instances of Surrealist Architecture and Urban Design:

Click on the images for more details and to see source.

"39GeorgeV" is an urban surrealism manifesto. It sheltered the renovation of an Hausmannian building in Paris, during year 2007. It's a life-size photographic work based on the original building, printed on canvas, enhanced with bas-relief.

The Manifesto of the 39GeorgeV project.

Royal Museums of Fine Arts of Belgium, Brussels. Installation of the new Magritte Museum 2008/09

From the exhibition:Painting the Glass House: Artists Revisit Modern Architecture.The Aldrich Contemporary Art Museum,Ridgefield, CT.

“]“]

Frankfurt's Bockenheimer Warte Subway Station. From '10 Of The World’s Most Impressive Subway Stations'

Iphone painting by Steve John.

Son Of Mac. Magritte-inspired Apple Macbook art vinyl decal.

Magritte-ispired art vinyl decal for Apple Macbook.

Book : Surrealism and Architecture edited by Thomas Mical



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So you already know I heart Japanese Stationery stores.

Here are more lovely pens and things from Jetpens.

Some of these, like rubber stamps – or writing letters sealed with rubber stamps- don’t exactly fit my life right now, but isn’t it fun to imagine such settings?

Thanks go to my (enabling)  friend Andy who shared Jetpens with me.

Click on the images for more details.

Brush Pens

Lamy Mechanical Pencil

Midori Animal Shape D-Clips

Woman-shaped clips by Sun-Star

Rubber Stamp by Kodomo no Kao Ouchi Mininature House : A Chair and Ciao!

The beautiful packages of Kodomo no Kao Ouchi Miniature House Rubber Stamps.

Round index tabs by Metaphis

Sun-Star 7-Blade Shredder Scissors

Acid-free, refillable adhesive tape from Tombow- for the gluing perfectionist (wow).

Kokuyo Systemic Special Cover Refillable Notebook

PlePle Choco Wrap Pencil Case

Lamy fountain pen, extra fine nib, aluminum body.

My favorite: Pen-Style Scissors.




Here are some photos of 
Jet Pens aficionados.


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After some meetings today I stopped by the library, Futo coffee in hand, and indulged in my favorite Architecture periodicals: Domus, Architectural Review and Harvard Design Magazine. An article on Surrealist Houses launched an expansive search on the Architecture of René Magritte; will share some of the findings here.

I've had Magritte (and collages) on my mind. Digital Manipulation on a photograph by Vijay Raghavendiran.

I am also thinking about watercolor these days: in both Freehand Drawing and Rendering and Delineation classes we are working with loose techniques. Here are some images that stopped me in my track during my quest.

Winter in Florence-La Pioggia- Watercolor and Ink. Professor George S. Loli, Dept. of Architecture, University of Louisiana-Lafayette.

Starry Night over the Rhone. Vincent Van Gogh. 1888.

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We interrupt this broadcast due to a bout of homesickness and wanderlust.

The Pacific is, to paraphrase Coleridge, ‘ Water, water everywhere (and not a drop to swim in)’.

I miss my home.

Exhibit A: My home in Milano.

Exhibit B: Calabria, small harbor with 'historical' outdoor nightclub attached, Blu '70.

Exhibit B1: As if it weren't enough, there is an(other) outdoor club in front this rock (Pietragrande), considered one of the most scenic in Europe.

Exhibit B2, Calabria, the coastline near my house. Tomorrow morning, this is how it will look, and August is the hardest month to be away.

Sit down, let's have an iced, sweet espresso. Hear the music.

Let's take the train next week, go to Firenze, we can stop by Venezia, certainly. Do you remember that olive bread?

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Photograph, Lumix Panasonic Camera, July 2010.




From Rear Facing Window

Alfred Hitchcock


Lisa: I wish I were creative.
Jeff: You are. You’re great at creating difficult situations.


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A beginning of something. Acrylic and marker on canvas. July 2010


Here are some quotes that are inspiring me these days:

“And now here is my secret, a very simple secret; it is only with the heart that one can see rightly, what is essential is invisible to the eye.”

Antoine de Saint-Exupery, Le Petit Prince

From Becoming Minimalist { thankyou Andy}

“What we think or what we know or what we believe is, in the end, of little consequence.  The only consequence is what we do.”

John Ruskin

So Powerful. I believe in ‘As a (w)oman thinketh so is (s)he’, and in the power of intention, but sometimes us thinking types need a call to be spurred into action. This is it.  { thankyou  Student}


“Your treasure house is within; it contains all you’ll ever need”

Hui Hai, Ancient Chinese Sage

From Zen Seing, Zen Drawing { thankyou Frederick Franck}



Ps. I added something new to my previous Chairs post.

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Something eye-opening occurred at my school yesterday.

I attended the exhibit for SoCal -Ex : Exploratory Design Workshop, completed by Professor Hector Perez and his students.

Here are the specific of the Workshop:

6 Explorers

Andrea Benavides/Alfredo Melly/Henry Palomino/Charles Santamaria/Nancy Tariga

25 Days

July 12-August 5

10 Field Trips

San Diego/La Jolla/Del Mar/San Juan Capistrano/Los Angeles/Santa Monica/Culver City/Venice/Pasadena/Palm Springs

9 Progressive Practices

Daly Genik Architects/Eric Owen Moss/Estudio Teddy Cruz/Gehry Technologies/Luce Et Studio/Michael Maltzan Architecture/Morphosis/Sebastian Mariscal Studio/Smith and Others

15 Extraordinary Residences

Charles and Ray Eames/Craig Ellwood/Christine & Russell Forester/Albert Frey/Frank Gehry/Greene and Greene/Coop Himmelblau/Alberto Kalach/Ed Killingsworth/Sebastian Mariscal/Kathy McCormick & Ted Smith/Richard NeutraRudolph Schindler/Don Wexler

I spoke with Professor Perez and he told me that the analysis of the case study residences and projects were concentrated on the ‘crown’, ‘body’ and ‘feet’ of the aedifices.

Through collages, reminiscent of Superstudio and Archigram, the field trips become a venue for envisioning alternative architectural and urban scenarios (Design Workshops). I hope you’ll enjoy these images just as much as I did; each collage read like a miniature work of art, and the juxtaposition of architectural drawings and bold hand-drawn colors created fantastic, detailed, abstract constructs.  What a wonderful way to illustrate architectural drawings, and bring to life photographs.  The collages, done by hand, using cutouts, colored pencils and paint had a physical presence, a texture that a purely digital (photoshopped) images invariably lack.

I am inspired to create some more collages of my own and…can’t wait for the book 😉

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Freehand Drawing- In Class exercise. After rendering with Espresso, we use the leftover coffee to draw chair combinations, or rather, the void around the chairs, in a figure-ground setting.

Another exercise with  ‘Drawing on the Righ Side of the Brain’.  By drawing the space, not the chair, the proportions were incredibly accurate in all drawings.  The drawings can be read as Nolli Maps of imaginary cities, we can see piazzas, palazzi…we can see perspective, spatial configurations/plans, abstract paintings… I love the ambivalent water medium, the subtle, duplicitous, always multilayered  sepia tone.

From 'Drawing on the Right Side of the Brain' by Betty Edwards

From Page 54:

Look at the drawings on the right-hand side of Figure 4-11. Studens 1 and 2 copied Picasso’s drawing right side up. As you can see, their drawings did not improve, and they use the same stereotypic, symbolic forms in their copies of the Picasso Stravinsky as they used in their Draw-a-Person drawings. In the drawings done by Student 2, you can see the confusion caused by the foreshortened chair and Stravinsky crossed legs.

In contrast, the second two students, starting out at about the same level of skill, copied the Picasso upside down, just as you did. The Student 3 and the Student 4 drawings show the results. Surprisingly, the drawings done upside down reflect much greater accuracy of perception and appear to be much more skillfully drawn.

How can we explain this?

The results run counter to common sense. You simply would not expect that a figure observed and drawn upside down could possibly be easier to draw, with superior results, than one viewed and drawn in the normal right-side-up way. The lines, after all, are the same lines. Turning the Picasso drawing upside down doesn’t in any way rearrange the lines or make them easier to draw.  And the students did not suddenly acquire “talent”.


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Il Sole (The Sun). Clay, Markers and pen. Milano, April 12, 1981, 5 yrs. old

Il Sole (back). God bless my mom for putting dates on *everything*.



The Sun

By Mary Oliver


and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?




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Pilot Pen V5 (aka Pilot Precise Extra Fine) on office pad. August 3, 2010.

Drawn with Pilot Pen V5 (aka Pilot Precise Extra Fine) on office pad. August 3, 2010.


The Man with Many Pens

by Jonathan Wells



With one he wrote a number so beautiful

it lasted forever in the legends of numbers. With another


he described the martyrs’ feet as they marched

past the weeping stones and cypresses, watched


by their fathers. He used one as a silver wand to lift

a trout from its spawning bed to more fruitful waters


and set it back down, its mouth facing upstream.

He wrote Time has no other river but this one in us,


no other use but this turn in us from mountain lakes

of late desires to confusions passed through


with every gate open. Let’s not say he didn’t take us

with him in the long current of his letters, his calligraphy


and craft, moving from port to port, his hand stopping

near his heart, the hand that smudged and graced the page,


asking, asking, his fingers a beggar’s lucent black,

for the word that gave each of us away.



More poetry from the New Yorker


I confess: I am weak for love pens and other writing instruments.

I have had a fascination with pens (and office supplies) since I was 4, when I would help organize my mother’s supply center at work.  I was very scrupolous 🙂  In college, buying pens at the Varsity Store on Campus, or better yet, at Mathison’s,  was therapy.  Above you see my sine qua non pen.

And, one more thing  for today: my blogsister Ghadah at PrettyGreenBullet gets an A.

Ghadah Alkandari. Isograph and Marker. Hand Exercise from 'Drawing on the Right Side of the Brain' (Aug.2,2010)

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I hope everyone’s having a fabulous beginning of August.
I am really trying.

How are you doing, fabulous?

I plan to go to some movie under the stars, or at the park, or on a roof, like Cinema Paradiso. A good black and white movie, preferably a noir Hitchcock, would be the cat’s meow.

I am officially suffering from wanderlust.  If I could be in five places at once I would be home in Calabria (Southern Italy), in Cuba, Ibiza and Greece and of course right where I am, having a Summer of Art with my students. They really need to get this teleportation thing going, so I could just zip away for the weekend, or we could just do three days of plein air sketching in Florence!

Le Corbusier said that we need to see with new eyes. How true; in Architecture, drawing, and, most of all, in life.  Looking is not seeing. SO part of the renewal  is to give your eyes something different to contemplate (i.e. do something new!).  I pledge to pick up my local weekly and get out of my comfort zone (even my beloved neighborhood! I know, hard to believe). Yesterday, to start the month right, I trekked couple of hours to the beach (with my sketchbook, of course!)

Pacific Beach. August1,2010. Ink on paper.

To develop new eyes, and to stretch different parts of the brain, we have been working in class from “Drawing on The Right Side of the Brain.” One of its famous exercises  is to draw an object without looking at the paper, preferably without lifting your pen or pencil. I tried it out with my hand.

The fingerprint/pattern was inspired by a) this fascinating article on The NewYorker on fingerprints, art and forensic science and b) paying attention to things we don’t even see anymore, or take for granted. Here is our uniqueness. We are all snowflakes, and just as fragile.

Felt Tip on paper. August 2, 2010.

Draw your hand without looking at the paper, take a photo and send it to me (sketchbloom at gmail dot com) or linkback.

I am curious.

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Happy August!

Ever the optimist, here is the first post of the month. I’m giving a shot at posting daily (again), we’ll see how it goes.

Here is the happy Nablopomo August Badge. The theme of this month is ‘Green’.  For me, it will mean renewal more than sustainability (a sort of spa for the mind), but I might find some interesting green homes to feature. Of course green is the color of envy, but we shan’t talk about that 😉 Here are couple of badges for good measure.

So as promised, here is my surprising discovery in the environs of Newport Beach (Costa Mesa): The LAB Anti-Mall.

I loved it! Local public art, local businesses and public spaces.

The Gipsy Den, which I covered in a previous post (it’s updated with photos now, yay), lies therein.

Enjoy, and I hope you get the chance to visit.
By the way thank you for all the views (dear readers :)), I am striving to post more often and it’s great to know this thing I do is being followed and shared.

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