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I finished my visual journal a week after Roxanne Evans Stout’s beautiful workshop, but left right away to Oaxaca, Mexico ( photos forthcoming 😊). Here are some photos taken outside of Jana Freeman’s fabulous Way Art Yonder workshops (above) , Day 2 of the workshop ( details from Roxanne’s teaching table and my work area with “preparatory piles”) and, finally, my completed journal.

At home, I had to co-opt my kitchen ( I need my studio back 🤪)… but thought this would make a nice tableau, so I’m sharing it here. This is how things looked deep in the night, two Sundays ago..

And finally…c’est fini! My first art journal – and first video posted here on SketchBloom.

All of the lovely journals from the workshop:

A closing plen air celebration at the end of the weekend. Can’t wait for my next (February) art workshop…

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Paintings by Suanne Summers

On Sunday I was lucky enough to spend the afternoon at my friend Jana Freeman’s Way Art Yonder Studio for one of her monthly open studio days. I met Jana at my school, first we were friendly colleagues then mischievous friends, and now she is living the Dream running her own art studio and hosting incredible workshops with Mixed Media artists the world over…

Here is a sample of the work I was “curiousing” on on Sunday ( yes, I am making up this word). Most of the vibrant work I photographed is by Suanne Summers, then there is the dreamy stitch/ fabric art of Shelley Watkins and the layered collages of Krista Jarrard. Jana, the studio owner, can be seen completing one of her exquisite pieces. This is my Art tribe, comprising of Carla Bange who could not make it this time.

Paintings by Suanne Summers

Collage in progress by Krista Jarrard

Jana in the process of assembling one of her captivating mixed media works on small square canvases, painted black.

This cool collage is by a sweet lady from Minnesota (!) . I will find out her name 🤔[[[[[[

Fabric/stitch art by Shelley Watkins. She dyes her own fabric 😮

Above, Jana and her regal ring touching one of Shelley’s distressed samples of fabric. She uses a process involving peroxide to “ eat through” the fabric. We named this “ Dickensian Orphanage, or the street urchins.”

Here is more of Suanne’s work:

What can I say, these ladies have been at this a long time and I need to up my game and get back to my collages instead of collecting drawerfuls of materials (but if I say so my self I have lots of exciting materia prima from my travels).

But first I want to finish my “flower portrait”- here is the work-in-progress ( which will include poetry and mixed media). The

The original was GORGEOUS, made for me by a very special person who ” painted” my portrait with handpicked flowers. {swoon}

Work in progress, acrylic on canvas.

Jana and I at Way Art Yonder, my happy place!

Thank you Jana!

I will soon be back under the portico with my bags 😉

This is one place where I don’t feel bad lugging all my stuff with me- as all the other tribe members do the same. I think I found my people.

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You heard me talking about Visual Notes before. Sketchnoting is something I’ve started to explore lately.

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One has to start somewhere…

After finishing my sketch I ran into two dear friends who had come to the cafe.

Perhaps the cafés can be the new piazzettas somehow.

Here’s to spontaneous gathering and holiday cheers.

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Encinitas, January 2017.


Mission Beach, San Diego, January 2017



Beautiful Thinking

By Angie Estes

Each morning, before the sun rises
over the bay of Villefranche-sur-Mer
on the Côte d’Azur, cruise ships drop anchor

so that motor launches from shore
can nurse alongside. All afternoon we studied
les structures où nous sommes l’objet, structures

in which we are the object—le soleil
me dérange, le Côte d’Azur nous manque—
while the pompiers angled their Bombardiers

down to the sea, skimming its surface
like pelicans and rising, filled
with water to drop on inland, inaccessible

wildfires. Once, a swimmer was found face down
in a tree like the unfledged robin I saw
flung to the ground, rowing

its pink shoulders as if in the middle
of the butterfly stroke, rising a moment
above water. Oiseau is the shortest word

in French to use all five vowels: “the soul
and tie of every word,” which Dante named
auieo. All through December, a ladybug circles

high around the kitchen walls looking for
spring, the way we search for a word that will hold
all vows and avowals: eunoia, Greek

for “beautiful thinking,” because the world’s
a magic slate, sleight of hand—now
you see it, now you don’t—not exactly

a slight, although in Elizabethan English, “nothing”
was pronounced “noting.” In the Bodleian Library
at Oxford, letters of the alphabet hang

from the ceiling like the teats
of the wolf that suckled Romulus
and Remus, but their alibi

keeps changing, slate gray like the sea’s
massage: You were more in me than I was
in me. . . . You remained within while I

went outside. Hard to say
whether it was Augustine
speaking to God or my mother

talking to me. Gulls ink the sky
with view, while waves throw themselves
on the mercy of the shore.

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The Tuscan/Pomegranate sky in San Diego right now. Absolutely no filter.

Pomegranate

By Kevin Pilkington


A woman walks by the bench I’m sitting on

with her dog that looks part Lab, part Buick,

stops and asks if I would like to dance.

I smile, tell her of course I do. We decide

on a waltz that she begins to hum.

We spin and sway across the street in between

parked cars and I can tell she realizes

she chose a man who understands the rhythm

of sand, the boundaries of thought. We glide

and Fred and Ginger might come to mind or

a breeze filled with the scent of flowers of your choice.

Coffee stops flowing as a waitress stares out the window

of a diner while I lead my partner back across the street.

When we come to the end of our dance,

we compliment each other and to repay the favor

I tell her to be careful since the world comes to an end

three blocks to the east of where we stand. Then

I remind her as long as there is a ’59 Cadillac parked

somewhere in a backyard between here and Boise

she will dance again.


As she leaves content with her dog, its tail wagging

like gossip, I am convinced now more than ever

that I once held hundreds of roses in my hands

the first time I cut open a pomegranate.

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 Little brothers and sisters: 

“You must give up the life you planned in order to have the life that is waiting for you.”

Joseph Campbell

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