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Archive for February, 2014

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San Diego, May 2013.



A lover knows only humility,
He has no choice.
He steals into your alley at night,
He has no choice.
He longs to kiss every lock of your hair,
Don’t fret,
He has no choice.
In his frenzied love for you,
He longs to break the chains of his imprisonment,
He has no choice.

A lover asked his beloved,
“Do you love yourself more than you love me?”
And the loved replied:
“I have died to myself and I live for you,
I’ve disappeared from myself and my attributes,
I am present only for you.
I have forgotten all my learnings,
But from knowing you I have become a scholar.
I have lost all my strength,
But from your power I am able.
I love myself,
I love you.
I love you,
I love myself.”

I am your lover,
Come to my side,
I will open the gate to your love.
Come settle with me,
Let us be neighbors in the stars.
You have been hiding so long,
Endlessly drifting in the sea of my love.
Even so, you have always been connected to me.
Concealed, revealed, in the norm, in the un-manifest.
I am life itself.
You have been a prisoner of a little pond,
I am the ocean and its turbulent flood.
Come merge with me.
Leave this world behind us.
Be with me,
I will open the gate to your love.

I desire you more than food or drink.
My body, my senses, my mind,
Hunger for your taste.
I can sense your presence in my heart.
Although you belong to all the world,
I wait in silent passion,
For one gesture, one glance.

Rumi

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Gianni Aiello. Self-Portrait of the Artist as a Young Man. 1970’s. Italy.

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Gianni Aiello (Papa’). Liguria, Italia. Possibly 1972.

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Gianni Aiello (Papa’) with cousin Giuseppe, next to the fishing shack La Baracca. 1972 (to be verified;))

As promised months ago (ehm), finally, the  series on my larger-than-life father, Gianni Aiello, begins.

My father is the son of a fisherman, and his life is the sea.  He is a true Calabrese, wandering about as a young man but returning to settle in his native land, by his Ionian shore.  After helping his father as a teenager, he became a policeman and an athlete.  At 22 he was shot in the line of duty during a hostage siege on the island of Sardinia.  A series of operations on the right side of his jaw left him scarred and looking like one of the bad guys.  Later, in his thirties, he and his Swiss brother-in-law, zio Marco, started a motorboat shop and storage plus Suzuki reseller.  Whenever i think of the officina each summer I smell fiberglass and see my dad, tan and shirtless in the sun, lifting concrete deadweights, putting outboards to water, and sometimes building boats from resin shells brought by the sea.

Always working with his hands, never far away from his sea, and returning to his passion off-season : fishing with traditional nets.

As a young policeman in Venice in the 60’s, my dad crashed art classes at the Accademia and hung out with artists and misfits.  I collected here the paintings from his youth that are still in the house where he grew up.  He lives there, beachfront, near the fishing shack his father built and that he turned into a work of art (more on this later).

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Gianni Aiello. 1970’s. Venezia. Italy.

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Gianni Aiello. 1970’s. Venezia. Italy.

Throughout it all, my dad is drawing boats, boats and fish, boats and fish and fishermen (my grandfather used to do the same on the edge of the newspaper). He is carving boats out of olive wood, making miniature fishing boats, and painting boats. He is constantly making or repairing stuff: cleaning and mending the nets, repairing the motor of his WWII Jeep ‘the Americans left’ , or adding to his living art installation, the fishing shack, or Baracca, of which I shared glimpses here (as it was) , here and here, and that stops tourists in their tracks. He is adding hand carved kitchen utensils for the house on the hill, or scavenging old farmhouses for vintage furniture, when he is not working on his fishing boat, Elena.

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Gianni Aiello. 1977.

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Gianni Aiello. 1978.

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Gianni Aiello. 2000’s. Calabria. Italia.

He is a busy craftsman – I am sure by now you can gather Gianni is a character.  He is a fisherman, a painter, a drawer, a sculptor, a designer and a coffee maker.  Above all, he is a dreamer, even though his gruff side would balk at this. The whole library of my adolescence was made up of books that made my dad, and, in the frontispiece there would always be a page of his diary, part of his itinerant memoir.
Sometimes he would mention a woman, or life on the road.  Sometimes he would copy a poem, or write to himself.

One time he wrote to me, when I was one year old – he was (only) 30.

They were revolutionary books and novels of magical realism. One Hundred Years of Solitude, Bernard Malamud, the Anarchist Black Book, Roots, Black Boy, Mao Tse Tung’s Red Manual, Hemingway, Garcia Lorca…so on and so forth.

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Gianni Aiello. 1970’s.

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Gianni Aiello. 1975.

My father doesn’t paint on canvas or draw on paper these days, but his whole world is art, full of sculpture and artifacts.

Whenever I visit home, I ‘make’ my dad draw me something for my collages or prompt him to start on some art project. Inevitably, we end up collaborating…here, here and here  .  For years, these times were the only way we could spend hours together without arguing.  Even though my dad would tease me when he saw me with my sketchbook (do you make any money with that?) he was always happy do art with me.
Today, he is used to see me going to work cutting up magazines while we watch Italian drama…  and he even offers suggestions.

In December 2011, my mom, dad and I were in Milano for the Holidays and one day my dad announces: “Let’s go buy some paints!”. It was a happy hunt through the half shuttered down city. This is the result:

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These days, I am embracing and appreciating the time it takes me to complete tasks. By letting my many projects marinade, each is given  the time needed to grow and mature.  Ideas and execution, for some, are fast-tracked.  To me, they mature into each other like fine wine.  I have been productive, yet deliberately steeping.  Pondering and moving slowly- yet inexorably – like a steamroller- not drowning in manic busywork as some do, in order to avoid their naked thoughts.

There is a saying: slowly but surely. I like that. I hope in that.  I think coming to terms with one’s pace is part of accepting the way we process life, events, feelings.  I think it is important to honor one’s response time in terms of well-being, and artistic and creative output.  Of course this runs counter-intuitive to all the deadlines we (architecture) professors set for our students, and I do not know how to solve the riddle – or that of quality over quantity – when we need to have certain set standards for assignments and projects.

Not easy.

It used to be perfectionism and fear of success (yes, you heard right) that froze me – but now I have seen enough to know the seasons and the flows of activities- and that everything is cyclical.  I do still procrastinate.  I do wait for inspiration with major creative task, and for the right time (it usually comes at night). Miracles do happen to me right before something is due. But, somehow, everything comes together beautifully.  When I produce, it is exactly what I envision, often better…the pieces, transformed by time, fit in more perfect ways. Serendipity comes into play.                And in serendipity and promethean connection lies the magic.

I may be late, but I’m always on time.

My friend Bruce, in his Myth and Symbols class, in order to explain the ‘myth of time’ compared absolute time with miti time. All the students knew what he meant and smiled.

It made me giggle.

Give me six hours to chop down a tree and I will spend the first four sharpening the axe.

Abraham Lincoln

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Boy on the beach at sunset. Montego Bay, Jamaica, December 2013.

Boy on the beach at sunset. Montego Bay, Jamaica, December 2013.

Sunset. Montego Bay, Jamaica, December 2013.

 Montego Bay, Jamaica, December 2013.

 

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“What is love? There is nothing in the world, neither man nor Devil nor any thing, that I hold as suspect as love, for it penetrates the soul more than any other thing. Nothing exists that so fills and binds the heart as love does. Therefore, unless you have those weapons that subdue it, the soul plunges through love into an immense abyss.”

“Love is wiser than wisdom.”

“Yesterday’s rose endures in its name, we hold empty names.”

Umberto Eco, The Name of the Rose

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Fog – Chinese Quarter, San Diego. January 2014.

“I choose not the suffocating anesthetic of the suburbs, but the violent jolt of the Capital.”

Virginia Woolf in ‘The Hours’

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