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Archive for the ‘sketchbook’ Category

I finished my visual journal a week after Roxanne Evans Stout’s beautiful workshop, but left right away to Oaxaca, Mexico ( photos forthcoming 😊). Here are some photos taken outside of Jana Freeman’s fabulous Way Art Yonder workshops (above) , Day 2 of the workshop ( details from Roxanne’s teaching table and my work area with “preparatory piles”) and, finally, my completed journal.

At home, I had to co-opt my kitchen ( I need my studio back 🤪)… but thought this would make a nice tableau, so I’m sharing it here. This is how things looked deep in the night, two Sundays ago..

And finally…c’est fini! My first art journal – and first video posted here on SketchBloom.

All of the lovely journals from the workshop:

A closing plen air celebration at the end of the weekend. Can’t wait for my next (February) art workshop…

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Butterfly Closures (a type of band-aid for deep cuts and stitches sold in the U.S). Mixed media on paper, ink and graphite. Better Buzz Coffee Roasters, Mission Beach, San Diego. September 22, 2018

 

The belief that women talk too much is rooted in the understanding that women should be silent.  “The talkativeness of women has been gauged in comparison not with men but with silence,” is how well-known feminist Dale Spender explained her reasoning in her book Man Made Language written decades ago. “Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.”

Emily Peck

 

This is another novella.

“Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.”

William Wordsworth

 

Angel comes from the Greek angelos, the messenger, the sent one.

 

Who more than the poets can speak about love?

-she said I contain worlds-

after six days his kisses stopped

he who told me all my no’s became yes’s

he who brought the wind

he who said I talked too much

-but could not spell-

and taught me to stay

by being the one who left.

 

“Never gift a book to someone who doesn’t understand vowels.”

 

I’m just removing the pebbles I’ve had in my shoes for two months, yes tonight- yes he was sweet, boiling ice. Yes he was heartless.

It’s the light in your eyes I cling on to save me

-or distract me-

my fallacy

the shine of yet another city – and i am the magpie with butterfly wings.

 

Of eyes i like when they tighten to focus like the lens of a camera

a mind is sometimes a beautiful forest, and layered people

a cosmos

he was my mirror, but you are on the other side of this screen

 

I have been running for seven years

but i was never more beautiful than the night we first went out – that glow was hope.

Seven years is what it takes for all cells in the body to renew

therefore in November I am, molecularly, a whole different person than the one she knew.

 

In July the old woman asked me why I was not married.

“God has to send me an an angel.” I replied. “An angel.”

 

We made fire in August. Consume.

We were southern blood, I was like sea.

To suffer for love is the greatest privilege.

In the morning the sun would wake me up by warming my feet; at one the vendors made their way back from the beach. We passed black bodies picking tomatoes in the fields of Sardinia.

They started pulling the umbrellas from the sand in the clubs in September. The light in the house was always crepuscular, like Tara in Gone With The Wind.

 

I guess it boils down to a lack of belief, a lack of patience

I am impetuous, and impulsive – female like guerra

if two pieces in a puzzle are too much alike, they don’t lock

I never thought your tattoos could cut me

I followed their path : they taught me the root of the word “seduction”

your eyes stopped seeing me, and it felt like violence.

 

Poetry is making pain elegant, and writing with broken hands.

Cruelty is not giving the beautiful words you say you have- to someone who lives by them. Mercy is never knowing when the last time comes.

 

“What we initially fall in love with is what hurts us the most in the end; he dressed really well, he was early, and his hair spelled trouble.”

I ran away to the ease of palmtrees and terracotta tiles (a cop-out)

because you cannot heal where you got sick – and I know you take yourself wherever you go, but 7,000 miles in between help.

They say it’s enough if only one of the two loves

and we know that i’m in love with the feeling,

the person is just an excuse.

it is not you who i missed- but what came with you;

I belong to freedom, and my art.

I steal words from my travels.

 

I can tell you in real life (IRL) men do not come in the middle of the night to tell you they don’t want to lose you- no matter how pretty or intelligent you are. nothing is fought for any more, and stories end for a nothing, for fear, on cloudy mondays.

 

Poets are one soul in the end, share one collective heart

the only ones who are not ashamed of being publicly immolated

but on the contrary, they show their wounds to the sun

they never explain them

– and that’s how they heal.

 

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Ink and graphite on hand.book paper. Sardinia, August 5, 2018.

Travel and tell no one,

live a true love story and tell no one,

live happily and tell no one,

people ruin beautiful things.

Kahlil Gibran

 

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Paintings by Suanne Summers

On Sunday I was lucky enough to spend the afternoon at my friend Jana Freeman’s Way Art Yonder Studio for one of her monthly open studio days. I met Jana at my school, first we were friendly colleagues then mischievous friends, and now she is living the Dream running her own art studio and hosting incredible workshops with Mixed Media artists the world over…

Here is a sample of the work I was “curiousing” on on Sunday ( yes, I am making up this word). Most of the vibrant work I photographed is by Suanne Summers, then there is the dreamy stitch/ fabric art of Shelley Watkins and the layered collages of Krista Jarrard. Jana, the studio owner, can be seen completing one of her exquisite pieces. This is my Art tribe, comprising of Carla Bange who could not make it this time.

Paintings by Suanne Summers

Collage in progress by Krista Jarrard

Jana in the process of assembling one of her captivating mixed media works on small square canvases, painted black.

This cool collage is by a sweet lady from Minnesota (!) . I will find out her name 🤔[[[[[[

Fabric/stitch art by Shelley Watkins. She dyes her own fabric 😮

Above, Jana and her regal ring touching one of Shelley’s distressed samples of fabric. She uses a process involving peroxide to “ eat through” the fabric. We named this “ Dickensian Orphanage, or the street urchins.”

Here is more of Suanne’s work:

What can I say, these ladies have been at this a long time and I need to up my game and get back to my collages instead of collecting drawerfuls of materials (but if I say so my self I have lots of exciting materia prima from my travels).

But first I want to finish my “flower portrait”- here is the work-in-progress ( which will include poetry and mixed media). The

The original was GORGEOUS, made for me by a very special person who ” painted” my portrait with handpicked flowers. {swoon}

Work in progress, acrylic on canvas.

Jana and I at Way Art Yonder, my happy place!

Thank you Jana!

I will soon be back under the portico with my bags 😉

This is one place where I don’t feel bad lugging all my stuff with me- as all the other tribe members do the same. I think I found my people.

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Digital drawing done on IPhone 7 Plus with Sketches app by Tayasui. June 27, 2018.

Napkin Sketch for fundraiser auction; poem La Ciudad by Octavio Paz. Fountain ink on Napkin paper. April 2018.

Yann Tiersen in concert at the Theatre at the Ace Hotel in Los Angeles, June 20, 2018.

Quick sketch using colored pencil and pastels. June 30, 2018.

My corner in the plaza of the Getty Villa in Los Angeles. June 2018.

One more post before the month is done.

This Spring was filled with intensity in and outside of my University.. the final stretch of the school year. Accelerated timelines, accelerated heartbeat. Stealing time between deadlines to go up to LA once more for a life-changing Yann Tiersen concert ( of Amelie fame), participate to sketching and art+Jazz events and jot down few lines to be shared later (after all, poetry is emotion recollected in tranquillity).

Stealing time from time… to be and to feel alive. Sketching (almost) everyday is doing wonders for my spirit- and glow!

Single reader, I hope you have time to disconnect and renew. Happy Summer.

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The French poet Paul Valéry said that all things are generated from an interruption. I learned this from my favorite Italian thinker, Alessandro Baricco, here in en español, whose lectures – to be found only in Italian – I listen to to learn about literature, writing, and life.

There were many interruptions this year, and not just personal. I can think of the devastating Hurricane Irma in my beloved, beautiful Puerto Rico, or the September 19 earthquake in my favorite city this side of the Atlantic, Ciudad De México – which occurred on the 32nd Anniversary of an earthquake that killed more that 10.000 people.

My personal earthquake and hurricane happened on August 21 of this year, when my dad passed away. I can now finally begin to write this sentence, and about it, without being swallowed up in the chasm that this loss left in my life. I know his spirit went back to his sea, where he returned, and I feel he is near, both inside my heart and dancing around in freedom and light. I like to think I can take him with me wherever I go now, and share my life in a more immediate way. I like to think his energy was transformed into waves of the sea. The sea can hug you, yet you can’t hug the sea, his immensity. I like to think he is in a butterfly, sometimes in a song. A friend of mine wrote “I heard your dad went back to the Universe”. I like that.

My dad loved the Old Man and The Sea, drawing boats and fish, Jonathan Seagull, reading, Venice, watching documentaries on nature, fishing, and working on his boat. He loved his friends and he loved me. He is the reason art is in my life. He is the reason I read One Hundred Years of Solitude in middle school (I used to raid the books of his youth unbeknownst to both my parents). It became my favorite book, it still is, and magical realism, anarchy and arcane literary worlds shaped who I am.

I thought about coming back to SketchBloom with a post on Van Gogh, and the film Loving Vincent, which I saw this month. The movie reminded me of my dad, of his love of painting, his simple bedroom , and his fisherman shack on the beach, La Baracca Del Bucaniere, which he lovely composed for the last ten years of his life here on the Earth school.

That post is in the pipeline, and I took new photos of his sculpture when I was last in Calabria –  but I wanted to return with a sketch, a return to art.

I just got back from Mexico (that is how the locals call it, Mexico…no need to use “Ciudad de”) yesterday, where I finally got over my protracted artist’s block.

Here, a simple sketch (above) and some photos/vignettes/stories I bring back from my trip.

Walking in Coyoacán – Frida’s neighborhood:

Scenes from Roma, one of the neighborhoods of DF:

This is Barba Azul, a cabaret from another era, where salsa is danced from midnight till dawn, where there is an altar upstairs (I have seen them in parking lots, too) and where the exit is a tiny rectangle carved into a decorated garage door- something out Pinocchio’s Paese dei Balocchi (toyland)…or a circus in a Fellini movie. One of the many surreal vignettes of this metropolis.

Unfortunately I could not take a better photo of it (with the usher emerging!) but it is on my list for next time. I also learned about the ficheras , the ladies of the establishment who sell a dance for a token (and more, at their discretion).

The obligatory photo of the Palacio De Bellas Artes, November 2017 version:

Where I had the chance to see Diego Rivera’s murals…

…and learn about the Rojo Mexicano (the red pigment from cochinilla bugs found inside the cactus fruits in Oaxaca, which was utilized in paintings around the world from the XV Century to the XIX) and see Van Gogh’s Bedroom At Arles with my own eyes (!!!).

I also visited Cuernavaca, La Ciudad de la Eterna Primavera (The City of the Eternal Spring), where i completed my yearly self-evaluation for #work in a garden within Jardines de Mexico, surrounded by butterflies. Talk about INSPIRING.

Italian Garden at Jardines De Mexico (my favorite, obv)

In Cuernavaca, I stayed in a copy of Unité d’Habitacion (but if you follow me on Instagram you already know this).

I want to close with a poem by Octavio Paz — who is considered the greatest Mexican poet and thinker — and, of course, was a native of Mexico City.

This is his poem Hablo de la Ciudad | I Speak of the City. Below the text in the original Spanish and the translation in English.

This poem perfectly encapsulates what Mexico City is. I have more posts on La Ciudad to craft, from my previous visits, and more poetry- but this shall suffice for tonight.

Here is to more gentle earthquakes and hurricanes in 2018, inner ones to bring soul renewals, and to a kinder year.

For the Aztecs, this was the bellybutton of the Moon.

Nos vemos pronto, Tenochtitlán.

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littleitaly_web

Piazzetta Basilone e Civico 1845. Little Italy, San Diego.  Graphite, ink, and marker. September 2016.

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