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Posts Tagged ‘Drawing’

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Butterfly Closures (a type of band-aid for deep cuts and stitches sold in the U.S). Mixed media on paper, ink and graphite. Better Buzz Coffee Roasters, Mission Beach, San Diego. September 22, 2018

 

The belief that women talk too much is rooted in the understanding that women should be silent.  “The talkativeness of women has been gauged in comparison not with men but with silence,” is how well-known feminist Dale Spender explained her reasoning in her book Man Made Language written decades ago. “Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.”

Emily Peck

 

This is another novella.

“Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.”

William Wordsworth

 

Angel comes from the Greek angelos, the messenger, the sent one.

 

Who more than the poets can speak about love?

-she said I contain worlds-

after six days his kisses stopped

he who told me all my no’s became yes’s

he who brought the wind

he who said I talked too much

-but could not spell-

and taught me to stay

by being the one who left.

 

“Never gift a book to someone who doesn’t understand vowels.”

 

I’m just removing the pebbles I’ve had in my shoes for two months, yes tonight- yes he was sweet, boiling ice. Yes he was heartless.

It’s the light in your eyes I cling on to save me

-or distract me-

my fallacy

the shine of yet another city – and i am the magpie with butterfly wings.

 

Of eyes i like when they tighten to focus like the lens of a camera

a mind is sometimes a beautiful forest, and layered people

a cosmos

he was my mirror, but you are on the other side of this screen

 

I have been running for seven years

but i was never more beautiful than the night we first went out – that glow was hope.

Seven years is what it takes for all cells in the body to renew

therefore in November I am, molecularly, a whole different person than the one she knew.

 

In July the old woman asked me why I was not married.

“God has to send me an an angel.” I replied. “An angel.”

 

We made fire in August. Consume.

We were southern blood, I was like sea.

To suffer for love is the greatest privilege.

In the morning the sun would wake me up by warming my feet; at one the vendors made their way back from the beach. We passed black bodies picking tomatoes in the fields of Sardinia.

They started pulling the umbrellas from the sand in the clubs in September. The light in the house was always crepuscular, like Tara in Gone With The Wind.

 

I guess it boils down to a lack of belief, a lack of patience

I am impetuous, and impulsive – female like guerra

if two pieces in a puzzle are too much alike, they don’t lock

I never thought your tattoos could cut me

I followed their path : they taught me the root of the word “seduction”

your eyes stopped seeing me, and it felt like violence.

 

Poetry is making pain elegant, and writing with broken hands.

Cruelty is not giving the beautiful words you say you have- to someone who lives by them. Mercy is never knowing when the last time comes.

 

“What we initially fall in love with is what hurts us the most in the end; he dressed really well, he was early, and his hair spelled trouble.”

I ran away to the ease of palmtrees and terracotta tiles (a cop-out)

because you cannot heal where you got sick – and I know you take yourself wherever you go, but 7,000 miles in between help.

They say it’s enough if only one of the two loves

and we know that i’m in love with the feeling,

the person is just an excuse.

it is not you who i missed- but what came with you;

I belong to freedom, and my art.

I steal words from my travels.

 

I can tell you in real life (IRL) men do not come in the middle of the night to tell you they don’t want to lose you- no matter how pretty or intelligent you are. nothing is fought for any more, and stories end for a nothing, for fear, on cloudy mondays.

 

Poets are one soul in the end, share one collective heart

the only ones who are not ashamed of being publicly immolated

but on the contrary, they show their wounds to the sun

they never explain them

– and that’s how they heal.

 

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Digital drawing done on IPhone 7 Plus with Sketches app by Tayasui. June 27, 2018.

Napkin Sketch for fundraiser auction; poem La Ciudad by Octavio Paz. Fountain ink on Napkin paper. April 2018.

Yann Tiersen in concert at the Theatre at the Ace Hotel in Los Angeles, June 20, 2018.

Quick sketch using colored pencil and pastels. June 30, 2018.

My corner in the plaza of the Getty Villa in Los Angeles. June 2018.

One more post before the month is done.

This Spring was filled with intensity in and outside of my University.. the final stretch of the school year. Accelerated timelines, accelerated heartbeat. Stealing time between deadlines to go up to LA once more for a life-changing Yann Tiersen concert ( of Amelie fame), participate to sketching and art+Jazz events and jot down few lines to be shared later (after all, poetry is emotion recollected in tranquillity).

Stealing time from time… to be and to feel alive. Sketching (almost) everyday is doing wonders for my spirit- and glow!

Single reader, I hope you have time to disconnect and renew. Happy Summer.

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The summer is near and it’s time to come back…

Here a quick watercolor from two weeks ago – a day trip with my Graduate students in the Architectural and Urban History Class.

We visited the Getty Villa- a replica of a Roman House in Santa Monica, California ( replica done with some poetic and unpoetic licenses…), contained in the Silvetti Machado contemporary expansion, a poem in stone that sets the Villa in an imagined archeological dig, with strata of travertine marble and concrete to pay homage to Roma.

Architecture is poetry in stone

The days since my last post have been filled with school activities, gratitude, beauty, poetry, reading, and finally.. some sun after the May Gray and June Gloom burned off. Oh, and I’m finally getting my place to where I want to be ( thankyou Marie Kondo).

Things are ( finally ) falling into place. It’s funny but I used to produce more art– and share more poetry — when my life was more chaotic, and centeredness has meant more introspection and less output. Now I’m much more deliberate and mindful of what/when to share…

I still have to steal these moments for art ( the demands of the modern living condition!) but I realize that there will always be more work to do, and let us all stop glorifying being busy.

Art helps us being in the Now- and that is all we have…I want to do less and be more. Thank you for reading, single reader.

Do you meditate? I have been for few months…and have added short gratitude prayers, reading and alignment to start the morning right. They say if you conquer the morning you conquer the day- and if you conquer the day you conquer your life.

Some days are better than others- and this weekend I will be going to my first spiritual retreat.

It has been one good, long day.

I trust all will be shared in time.

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The French poet Paul Valéry said that all things are generated from an interruption. I learned this from my favorite Italian thinker, Alessandro Baricco, here in en español, whose lectures – to be found only in Italian – I listen to to learn about literature, writing, and life.

There were many interruptions this year, and not just personal. I can think of the devastating Hurricane Irma in my beloved, beautiful Puerto Rico, or the September 19 earthquake in my favorite city this side of the Atlantic, Ciudad De México – which occurred on the 32nd Anniversary of an earthquake that killed more that 10.000 people.

My personal earthquake and hurricane happened on August 21 of this year, when my dad passed away. I can now finally begin to write this sentence, and about it, without being swallowed up in the chasm that this loss left in my life. I know his spirit went back to his sea, where he returned, and I feel he is near, both inside my heart and dancing around in freedom and light. I like to think I can take him with me wherever I go now, and share my life in a more immediate way. I like to think his energy was transformed into waves of the sea. The sea can hug you, yet you can’t hug the sea, his immensity. I like to think he is in a butterfly, sometimes in a song. A friend of mine wrote “I heard your dad went back to the Universe”. I like that.

My dad loved the Old Man and The Sea, drawing boats and fish, Jonathan Seagull, reading, Venice, watching documentaries on nature, fishing, and working on his boat. He loved his friends and he loved me. He is the reason art is in my life. He is the reason I read One Hundred Years of Solitude in middle school (I used to raid the books of his youth unbeknownst to both my parents). It became my favorite book, it still is, and magical realism, anarchy and arcane literary worlds shaped who I am.

I thought about coming back to SketchBloom with a post on Van Gogh, and the film Loving Vincent, which I saw this month. The movie reminded me of my dad, of his love of painting, his simple bedroom , and his fisherman shack on the beach, La Baracca Del Bucaniere, which he lovely composed for the last ten years of his life here on the Earth school.

That post is in the pipeline, and I took new photos of his sculpture when I was last in Calabria –  but I wanted to return with a sketch, a return to art.

I just got back from Mexico (that is how the locals call it, Mexico…no need to use “Ciudad de”) yesterday, where I finally got over my protracted artist’s block.

Here, a simple sketch (above) and some photos/vignettes/stories I bring back from my trip.

Walking in Coyoacán – Frida’s neighborhood:

Scenes from Roma, one of the neighborhoods of DF:

This is Barba Azul, a cabaret from another era, where salsa is danced from midnight till dawn, where there is an altar upstairs (I have seen them in parking lots, too) and where the exit is a tiny rectangle carved into a decorated garage door- something out Pinocchio’s Paese dei Balocchi (toyland)…or a circus in a Fellini movie. One of the many surreal vignettes of this metropolis.

Unfortunately I could not take a better photo of it (with the usher emerging!) but it is on my list for next time. I also learned about the ficheras , the ladies of the establishment who sell a dance for a token (and more, at their discretion).

The obligatory photo of the Palacio De Bellas Artes, November 2017 version:

Where I had the chance to see Diego Rivera’s murals…

…and learn about the Rojo Mexicano (the red pigment from cochinilla bugs found inside the cactus fruits in Oaxaca, which was utilized in paintings around the world from the XV Century to the XIX) and see Van Gogh’s Bedroom At Arles with my own eyes (!!!).

I also visited Cuernavaca, La Ciudad de la Eterna Primavera (The City of the Eternal Spring), where i completed my yearly self-evaluation for #work in a garden within Jardines de Mexico, surrounded by butterflies. Talk about INSPIRING.

Italian Garden at Jardines De Mexico (my favorite, obv)

In Cuernavaca, I stayed in a copy of Unité d’Habitacion (but if you follow me on Instagram you already know this).

I want to close with a poem by Octavio Paz — who is considered the greatest Mexican poet and thinker — and, of course, was a native of Mexico City.

This is his poem Hablo de la Ciudad | I Speak of the City. Below the text in the original Spanish and the translation in English.

This poem perfectly encapsulates what Mexico City is. I have more posts on La Ciudad to craft, from my previous visits, and more poetry- but this shall suffice for tonight.

Here is to more gentle earthquakes and hurricanes in 2018, inner ones to bring soul renewals, and to a kinder year.

For the Aztecs, this was the bellybutton of the Moon.

Nos vemos pronto, Tenochtitlán.

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A Thousand Churches (Your Eyes). Graphite, Watercolor, India Ink. August 12, 2017.


Dear Single Reader,

You might have thought I had disappeared, and would be the third person in a week to ask me what happened to my sketchbloom…but I’m back for the summer.

An international conference in Hong Kong , research writing /presentations and academia have absorbed me until the end of June…not to mention that thing called life, and heart, and two moves in two months ( apartment renovation). It has been CRAZY. 

I just got back from two amazing weeks in Puebla, Mexico where I was part of ArtFest17 and went to teach at UVM (Universidad de la Valle México) a workshop called Myth of the City.  

Here you can see all the work done with my students and read about Puebla, the “Second” city – the first being of course, Mexico ( Ciudad de). It was an incredible experience, after having co-taught the course in Santa Fe, New México in 2013 and 2014. One could say I went from New Mexico to “Old” México with this.

In Puebla i was surrounded by “my people”, migente, artists, intellectuals..the bohemians and the romantics, and got back my creative juices!  Now, a new beginning…

I have lots of travel photography and new poetry to share so stick around 🙂 

Thank you for reading me and not forgetting about me ❤️ your support means everything to me, as art is and always be my first love- and the true love of my life. 

I am on an art-recovery program but I don’t know what to do about those pesky writing deadlines…#thestruggle. Life is so full, and exciting new design opportunities –like being a juror for Orchids and Onions in San Diego and a Pecha Kucha presentation on Storage Cities — keep presenting themselves. It’s accelerated, beautiful life…yet art needs the half-time of dreams.

Well, wish me good luck, there are some posts in the pipelines so I will see you soon and… work in progress as usual! 

I do hope you are having a glorious summer.

Below are some photos from lovely, lovely Puebla… two of my students’ models and the City that is home of so many incredible riches. A true treasure of humanity/ patrimonio de la humanidad. 

PS: I have been posting on Instagram but have to confess I always feeel guilty if I don’t post drawings/sketches/watercolor/collages… after all it is called Sketchbloom not Photobloom ( but you can follow me [@sketchbloom] there and it would make me so happy😊.) 




Puebla, Estado de Puebla, México:

What a magical city: Baroque churches where Tllaloc and Quetzacoatl are venerated, the fusion called Barroco Indígena ( San Francisco de Acatepec and Santa María de Tonantzintla – Barragán’s favorite church), Aztec temples and cities, 400 year old stone buildings, the tallest church towers in Mexico and the greatest covered stepped pyramid in the world ( Teocalli de Cholula)…finally the oldest public library of the Americas. Puebla is where the battle celebrated during Cinco de Mayo took place and where the Mexican Revolution started. Wow. 

Take a look…




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Piazzetta Basilone e Civico 1845. Little Italy, San Diego.  Graphite, ink, and marker. September 2016.

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You might remember this drawing from November.
I finally finished at the beginning of January, on a cold (for San Diego) night, sitting in front of this 100-yearY building, under a portico.
Balboa Park always takes me back home. This entire drawing was done plen air and took me few sessions over several months to complete.
It will be on its way to San José, Costa Rica soon.

This is a quick photo, but i have a piecemeal scanned version ( sheet too large for my scanner, and the wide format at work is not very kind to graphite).I will try to compose the image and sub for it soon – but it has already been a whole week since this post languished in the draft purgatory and i want to get to my next night photography post.
Clouds make nocturnal old San Diego heartbreakingly beautiful.

By the way, i hope you all had a fantastic Holiday Break.
I just got back from another trip to México, and i have Mayan pyramids,cenotes, colonial towns and caribbean waters to share. I cannot believe i haven’t had the chance to share my two trips to Ciudad de México D.F from last July and November (¡Frida!) ..yet.
So next there will be a series of posts on México “lindo y querido”.

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