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Santa Maria Delle Grazie with Bramante's apse. Milano. Pilot pen on paper. January 2011

 In the monastery adjacent this church, just a few minutes’ stroll from my house, one can find Leonardo Da Vinci’s ‘Last Supper’. The apse (widely attributed to Donato Bramante, and dated around 1490) is significant as it signals a crucial transition from the Late Gothic style of the nave to a splendid Northern Italian Renaissance in the apse, the choir and cupola.

.25 technical pen on cardstock. January 2011.

Photoshop manipulation of pen drawing. January 2011.

MITI’S RECIPE FOR SKETCHING:

Day One: Look. (First Encounter)

Day Two: See. (Visual Analysis;walkaround…resist the urge to take photos. Training your eyes will not only lead to better sketches, better lessons learned from the Architecture itself, it will lead to–if you are so inclined–even better photography in the end. Notice, examine and mentally record -on the exterior- connections, details, rhythms, proportions, materials; on the interior: spaces, rituals, light, sequences, apertures, passages…)

Day Three: Sketch. (even quickly…by now you learned the lessons, you acquainted yourself with the building. You begin to understand.) Use the verb ‘to draw’ as in drawing water from a well, draw information (this last advice comes from Travelling the World with an Architect’s Eye)

Tips for cold-weather sketching: stop when your legs fall asleep. Wear half (I call them ‘homeless-style’) gloves to keep the hands free. Listen to warm music on your ipod. Bring a thermos or mug with hot, organic, unsweetened english breakfast tea.

And…

for impromptu urban sketching, carry your pens with the very handy penholder by Muji (did I mention before that I love Muji?)

Sketchbook by hand book, penholder clip by muji.

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