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Archive for the ‘Artuesdays’ Category

Collage. Mixed Media, Golden matte medium and glue. March 15, 2020. 9” x 12”

I return.

With some scraps pasted on watercolor paper, with a draft of a poem. Like a pater familias who periodically abandons the domestic domicile and neglects his duties to answer the siren, wearing only a backpack.

Wanderlust. It’s in my blood.

Five minute Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
Ten minute response Collage. Mixed Media, Golden matte medium and glue. March 14. 2020. 4”x 4”
Ten minute response collage. Mixed Media, Golden matte medium and glue. March 14, 2020. 4”x 4”
Three element collage . Mixed Media, Golden matte medium and glue. March 14, 2020. 4”x 4”
Five minute collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
Five minute collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”

So, before they shut down California and closed all her beaches ( I can just see the headline of Italian newspapers: California Surrenders), I attended a mixed media workshop taught by an empowering teacher, Crystal Marie.

These are the outcomes ( and voyages ) from Collage and the Intuitive Voice — A Collage and Writing Collaboration , hosted at the idyllic Way Art Yonder Studio, owned by my friend Jana Freeman. My heart rejoices when we take the right turn to the house on the hill, where my spirit can sing, where it is okay to play.

My station at Way Art Yonder Studio ❤️
Taking shots for the ‘gram.
By the way, you can see more process photos, work from my fantastic colleagues, read the quotes I collected – aaand follow me and my wanderings live – on Instagram : @sketchbloom
Laying down the pieces from the “piles of possibilities”. This collage prompt came from our morning pages.
Finished piece! It is very joyful to me.
How to grow an artist. How to grow SketchBloom, my digital studio. A process that requires support, mindfulness and grafting, as in growing a new type of fruit.
“ How To Grow An Artist.”. Mixed Media, Golden matte medium and glue. March 15, 2015. 9” x 12”

I was able to join Crystal last year for an encaustics and collage workshop last February , with exciting results and exposure to new techniques. I posted my work from that workshop on Instagram and will feature it here next.

This time the experience was deeper. I came away with sooo many lessons, quotable quotes and insights: the journaling/writing aspect of the workshop was incredibly soothing and therapeutic in personal fraught times ( Italy was preeminent in my mind). I love returning to writing, my first love. Most importantly, I was able to reflect and share and CELEBRATE what it means to be an artist.

Redacted morning pages. Quedate con lo bonito = Only keep the good. Quotes on being an Artist.
Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 9” x 12”
A small tribute to the most beautiful country of the world, now mortally wounded.

Now, I could berate myself for only producing artifacts at this intense levels once a year when I attend these workshops, but let’s not do that. Other duties and career and life commitments vie for time..I just enjoy the return each time. Like a soldier returning from war, knocking on a door— as as they say in Mad Men.

Dichotomy: my architecture world vs. my art world
Response Collage (10 minutes) Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”

Each day is a new beginning, like the title of the little book I found in the alley of my building, full of smoke and the story of a recovering alcoholic. Each breath. Each spring.

These are the days of stasis — the dormant days or deepening ones.

Collection of 5- minute Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
A work in progress, beautifully unfinished.
My wonderful teacher Crystal Marie!
One of Crystal Marie’s motto : Just Glue It.
What I see of my work/myself ….
How other people see me/ my work or … what I let people see…
Here my work and my desk — all cleaned up— on Final Presentation Day ( pardon my archi-speak).
Ciao Way Art Yonder Studio! See you soon!

Before I leave you to my draft poem ( upcoming post ) and artifacts from my latest retreat — and a retreat it was, from life and obligations…Art is always a refuge…before I push publish on these collages of words and paper and sticky stuff, I just want to say that this is the time to finally read ”La Noche que Volvimos a Ser Gente”or “The Night We Became People Again” by José Luis González, inspired by the big New York blackout of 2014.

The night will be longer this time.

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Paintings by Suanne Summers

On Sunday I was lucky enough to spend the afternoon at my friend Jana Freeman’s Way Art Yonder Studio for one of her monthly open studio days. I met Jana at my school, first we were friendly colleagues then mischievous friends, and now she is living the Dream running her own art studio and hosting incredible workshops with Mixed Media artists the world over…

Here is a sample of the work I was “curiousing” on on Sunday ( yes, I am making up this word). Most of the vibrant work I photographed is by Suanne Summers, then there is the dreamy stitch/ fabric art of Shelley Watkins and the layered collages of Krista Jarrard. Jana, the studio owner, can be seen completing one of her exquisite pieces. This is my Art tribe, comprising of Carla Bange who could not make it this time.

Paintings by Suanne Summers

Collage in progress by Krista Jarrard

Jana in the process of assembling one of her captivating mixed media works on small square canvases, painted black.

This cool collage is by a sweet lady from Minnesota (!) . I will find out her name 🤔[[[[[[

Fabric/stitch art by Shelley Watkins. She dyes her own fabric 😮

Above, Jana and her regal ring touching one of Shelley’s distressed samples of fabric. She uses a process involving peroxide to “ eat through” the fabric. We named this “ Dickensian Orphanage, or the street urchins.”

Here is more of Suanne’s work:

What can I say, these ladies have been at this a long time and I need to up my game and get back to my collages instead of collecting drawerfuls of materials (but if I say so my self I have lots of exciting materia prima from my travels).

But first I want to finish my “flower portrait”- here is the work-in-progress ( which will include poetry and mixed media). The

The original was GORGEOUS, made for me by a very special person who ” painted” my portrait with handpicked flowers. {swoon}

Work in progress, acrylic on canvas.

Jana and I at Way Art Yonder, my happy place!

Thank you Jana!

I will soon be back under the portico with my bags 😉

This is one place where I don’t feel bad lugging all my stuff with me- as all the other tribe members do the same. I think I found my people.

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Yesterday I was lucky enough to visit the old section of the town of Vittorio Veneto, in the region of Veneto, in Northeastern Italy. Present-day Vittorio Veneto is the result of the fusion of the municipalities of Ceneda and Serravalle after WWI. 
The photos below are of the old Jewish ghetto of Ceneda, and the centro ( center or downtown) with its villas, park and piazzetta ( small piazza). 


The Church pictured just below was a surprising find: it is the oldest churchsite I have ever visited, and dates from the IV century (!!!).  The Church you see was rebuilt in 1400, a millennium after the first structure was erected. The timing boggles the mind: in 313 CE Constantine declared Christianity the official religion of the Roman Empire with the Edict of Milan, and on this site a church was built shortly thereafter. 



Serravalle, like Treviso, the regional center of the prosperous region of Veneto, features frescoes on the façades of buildings. This is something fascinating that I learned during this trip (from my mom, who is from Treviso) Frescoes in Serravalle- a town of Roman origin-were not just relegated to the interior of churches, but graced the buildings’ street elevations and were painted by notable local artists. Most of the palazzi date from the 1400’s. What was depicted on them? Hard to say from what remains in Serravalle. I could discern some courtly scenes  and patterns/coat of arms. Both here and in Treviso, the frescoes were plastered over during one of the bouts of the Plague, in a misguided effort to ‘disinfect’ homes. 

One of the photos depicts the winged lion of Venezia (Venice) on top of a tall pole. This whole area was indeed part of the inland empire of La Serenissima (the most serene) Republic of Venezia.

The best part for me, as a flâneuse was walking through the many porticoes of Serravalle. Enjoy my flâneuring..

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Digital experiment using layers from the Tayasui Sketching app + Procreate app on IPhone 7. Excerpt from the novel Chokher Bali by Rabindranath Tagore. November 15, 2016.

 




For lifelong companionship, it’s not necessary to live together.

We have gone as far as we had to go.

From here, our paths diverge.

It’s better for both of us.

I will atone for my mistakes by serving other people. If you settle down, I swear, I will be really happy.

Now I have no grievances in this life. Life has done us a big favor by bringing us together again. Otherwise, we wouldn’t have been able to resolve our grievances.

I was at fault, but you didn’t let your love for me wane.

Your Binod will learn to live with the help of this thought.

Before leaving, all I will ask is that…

..in our next birth, you should only belong to me.

Don’t belong to anybody else.


From the last letter of Binodini to her beloved Behari. 

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Northern Hemisphere,
June 19 and June 20, 2016.

Strawberry Moon and Solstice, an event that occurs every seventy years.
Full moon as the Sun stops to take Her in; the union of the masculine and the feminine. I hope you  have been casting spells, and were looking skyward.

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Hello Stranger!

In case you are wondering what happened to me and why I’ve gone M.I.A during the month of February and most of March, the board above is one of the reasons. As it happened in 2010,
our school underwent an enormous accreditation visit, which meant preparing for months collecting, documenting and providing evidences.

One of the best things to come out of the work leading to the Accreditation was that Faculty was once more asked to prepare a record of what we have been doing – outside of teaching- the past five years.
It is a monumental task to audit, select and curate five years of life, work, art – yet I welcome the chance to take stock of where I have been, for it points to where I want to go. This process of self-evaluation is a privilege not afforded to many professions, and I was thankful for the challenge.
We were also asked to write a brief narrative. I worked on this more hours than I care to admit and I am happy to now share this with you: words, drawings and travel photography — some of which hasn’t been seen here yet! Hope you enjoy it.


“The French writer Daniel Pennac describes the notion of  the passeur, of the ‘transmitter’, as intimately connected to the ownership of culture.  He considers pedagogy as a branch of dramaturgy: a great teacher is a playwright, a vector of knowledge who instills curiosity, personifies her subject, and communicates passion. As an academic, designer, artist, and poet , storytelling is central to my work.

When I was six years old, fascinated by a book of folktales of Northern Europe, I decided I wanted to be a collector of legends. Though my path took me to Architecture and Fine Arts, teaching History of Architecture brought me to travel to Latin America, the American Southwest and the Caribbeans  where I began to record the history of place through the stories of its native people, These ‘stories of architecture’ become the framework of my courses. Through drawing, urban sketching, collages, photography, and writing, my preoccupation has been with collecting, documenting, processing and communicating narratives – while letting the spontaneous unfold.”


Miti Aiello, San Diego, March 2016

Writer Update:

My abstract on my research on Storage Cities has been accepted by one of the two main Architecture academic bodies here in the U.S for presentation at their International Conference! They are sending me to Santiago, Chile in June, and will publish my academic paper. Too excited for words. If you want to get a sneak peek and read my abstract check out my academia.edu page.

This is likely a hello/byefornow.
I wanted to update my blog now that classes have ended for the quarter, and before once again leaving for Mexico, this time in Baja California Sur for a week of volunteering. Faculty and students of my school are going to help build a healing center using natural architecture in a location that is three hours away by car from the closest road. It will be very remote, challenging and, I am sure, transforming. I will document everything.

Few weeks ago I wrote that, sometimes, we don’t have time to do art because we are too busy living a life that is art itself.
That is a true blessing, amidst the inherent challenges.

Although I have not posted here, I have not stopped taking photographs, seeing, collecting, thinking. My hope of hopes is to get caught up with my posts this summer…Promises we have heard before…

“You don’t need motivation.
What you need is discipline, young lady!”

Joe

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Last night, between November 10 and November 11, and all day today we celebrate Diwali, the Indian Festival of Lights. I had fun arranging light
‘sculptures’ and enjoyed the presence of so many candles and lit lamps in every room, till the wee hours of the night.
Magical, powerful fire and all manners of colored skins, screens and effects to spread, diffuse, and scatter light…I loved this night.

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What is Diwali ? – you might ask.

Diwali is the Festival of Lights in India, a day to celebrate good triumphing over evil and light over darkness.
It is in, fact, the end of darkness.
Diwali is a day to honor your inner light and bless your home. It is a day for  new beginnings, as it celebrates the start of the Indian New Year.

H  A  P  P  Y     D  I  W  A  L  I 

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Light up all the candles! Hang your lanterns and luminaires…string all the lights.
….
Diwali is called the Festival of Lights and is celebrated to honor Rama-chandra, the seventh avatar (incarnation of the god Vishnu). It is believed that on this day Rama returned to his people after 14 years of exile during which he fought and won a battle against the demons and the demon king, Ravana. People lit their houses to celebrate his victory over evil (light over darkness).

The goddess of happiness and good fortune, Lakshmi, also figures into the celebration. It is believed that she roams the earth on this day and enters the house that is pure, clean, and bright. Diwali celebrations may vary in different communities but its significance and spiritual meaning is generally “the awareness of the inner light”.
Source: http://www.timeanddate.com/holidays/us/diwali

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San Diego Museum of Man in Balboa Park, San Diego, California. Graphite on paper. 24"X30". August 2015.

A commissioned work in progress.
One more plen air session and lineweight application and this baby is traveling to Costa Rica.
[Gracias por la Pura Vida]
I was asked to draw something that, to me, was intrinsically San Diego.
I love this building, and Balboa Park.
This is my neighborhood, my California home.

The buildings in Balboa park were chimeras, they were not supposed to last. They were stuccoed renditions, built for the 1915-16 Panama-California Exposition.
It was San Diego dreaming of a past it did not possess, recreating its version of Spain, a classical city of porticoes, fountains and piazzas. Balboa Park represents both a stage and utopia.

My mind knows i am looking at façade architecture, in some cases as authentic as a movie set. It also knows none of the hundreds of plants and trees in the park are native. Yet, i am seduced.  I indulge in a state ‘suspension of disbelief’, as Wordsworth  asked of his reader.
This is my Romantic ruin.

Balboa Park today enchants as a beautiful urban park, the cultural heart of San Diego with more than twenty museums, gardens, landscaped vistas and hikes through the natural canyons (and, always, street artists).

When I see the blue-tiled dome and its storied tower, emerge like a hazy dream across a bridge that translates in elegant modern forms a Roman aqueduct, i escape.

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Balboa Park, the 'Crown Jewel of San Diego'.

No. This photo was not ‘shopped. The sky really looks like this all year-round here.
And you should see the sunsets.
Don’t hate. We pay for this in other ways.

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In January I collided with two splendid creatures in Balboa Park, Lila’Angelique and Thoth, which together form Tribal Baroque.

I wanted to share some portraits I took of them, in order to share some of the magic of their presence and music.

Nothing prepares you for the beauty that is Tribal Baroque, but here is a taste of what’s in store if you can make it to one of their prayformances in the park.

This is the Facebook page of Tribal Baroque, so you can catch these fairies who are here in San Diego for a limited time.

{more to come…see below}
…….

Four days ago, I spent two hours crafting the perfect posts on my muses, full of links and perfectly ( to me) worded prose.

When I went to publish the post, I LOST everything. It is the first time that this has happened on WordPress, which is usually excellent at saving drafts in progress.

I have been too heartbroken to come back and re-craft my post, but I have new art from Saturday and tonight – yes i started sketching and painting again (!) – and new photographs that I want to share, and life must go on.

Enjoy this images for now.. I will come back in the morning, refreshed, and tell you its stories…
…….

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Thank you for bringing the *triple* rainbow and pink sky 😉 :
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The sacrificial lamb- an old leather jacket already repaired twice.

The sacrificial lamb- an old leather jacket already repaired twice.

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With my pattern and leather in the Materials Lab, to trace images in Illustrator and experiment with the laser cutting process. “The object feels good if the process feels good.”

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The laser etched leather swatches. Fire drawings…scars…tattoos and cattle branding.

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Preparing for night surgical cutting, tailoring and riveting. And documenting. The whole project came about in three days (Friday to Sunday), but was months in the making (and in the thinking, and in the promising).

 

 

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The prototypes are done!

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Laying out this graphic board illustrating the process took longer than I would like to admit. In the end, it was a process of elimination…which is the secret to design, really.

 

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Exhibit time. Board layout #2 with Illustrator patterns :).

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Project fini. Ready-to-wear, custom-made temporary leather tattoos....by yours truly.

Project fini. Ready-to-wear, custom-made temporary leather tattoos….by yours truly.

 

 

Idea #13: Temporary Leather Tattoos

Experiments with recycled leather, tattoo patterns and the laser cutter in our Materials Lab for the Action/Reaction Faculty show, where students react to faculty work.

I chose to explore these tribal tattoo patterns I drew long ago and finally turn them into ‘temporary’ leather tattoos – since an actual tribal armband tattoo is out of the question (#italianmother).

In the process, I learned how to make leather-on-leather tattoos, used the laser cutter for the first time, hand-cut till my hands were sore, learned how to put rivets, and was taught about vector lines and patterns in lllustrator by my wonderful, patient students.
Thanks to student feedback/critique (which was extremely positive about the artifacts :)) the board could use one more ‘pass’ as far as fonts and background, but I wanted to post this now, as the show is coming to a close.

While researching case studies, I was astonished by the amount of cool accessories, arm bands and earrings made with recycled bike tires and inner tubes.

Etsy, here I come.

 

Here are some photos from the Action|Reaction opening, by Donn Angel Perez, the curator of the show (and author of the beautiful paintings shown), along with student Chuck Wilson

For the opening- in keeping with the recycled/sustainable theme, and to save time 😉 – I projected my board.

 

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littlescreenshot <<<and this, this little guy on my desktop just makes me happy.

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Thom, one of my past students, showed me his project during our school’s Finals’ Exhibit –where the best projects from each year were showcased.
He had found a silhouette that happened to look like me and placed it in his final rendering. 🙂

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Above, my Christmas presents from my students.
The ‘one hundred small books’ were a project for the Advanced Presentation course I taught.

To start the conversation on small scale binding, I brought some of my mini books to show.
How did I end up with these? 😛


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My students could choose their own narrative and learned how to bind books using different techniques and materials.
We covered layout through a discussion on portfolio graphics and blog and website design –and used some color palette tools–
so for the final project I wanted to do something different and strange, inspired by an artist in the 70’s who created one hundred little books.

Some of them are portfolios, some poetry, photography…a couple are on love and music 🙂


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There is even Dostoevsky’s novella ‘White Night’ and a book entirely on coffee and quotes, both done by Anastasia, a fellow artist (someone knows me!).

You can follow her beautiful work here.

I will post more pages from the little books once school resumes. I also (shocking, I know) have a little book on coffee quotes at home, bought in Italy few Christmases ago. I’ve been meaning to write a post about it, and now I will share it with you – and Anastasia 🙂

Also there were lots and lots of sketchbooks from my History of Architecture students (!).

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I. love. them.


Before I go (get coffee), some coffee quotes from my little coffee book:

If asked: ‘How do you take your coffee’?
I reply : ‘Very Seriously’

Unknown


Coffee is a language in itself

Jackie Chan


Wake up!

Drink coffee…

Then think.

Unknown


Coffee is the favorite drink

of the civilized world.

Thomas Jefferson


Black as night,

Sweet as sin.

Neil Gaiman ‘Anansi Boys’


Deja Brew:

The feeling you’ve had

this coffee before.

Unknown Coffee


It is inhumane, in my opinion, to force people who have a genuine medical need for coffee to

wait in line behind people who apparently view it as some kind of recreational activity.

Dave Barry


Black as the Devil,

Hot as Hell,

Pure as an Angel,

Sweet as Love.

Charles Maurice De Talleyrand


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My Bounty. Merry Christmas.

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This photo was taken by my dear friend and photographer/artist extraordinaire Maha Comianos.

She is currently exploring the creative side of architects in her Archi * Artist Series, among many other artistic endeavors.

Check out her inspired work at:
http://www.studiomaha.com

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In the winter, Venice is like an abandoned theatre. The play is finished, but the echoes remain.

Arbit Blatas

To build a city where it is impossible to build a city is madness in itself, but to build there one of the most elegant and grandest of cities is the madness of genius.

Alexander Herzen

There is something so different in Venice from any other place in the world, that you leave at once all accustomed habits and everyday sights to enter an enchanted garden.

Mary Shelley

It is the city of mirrors, the city of mirages, at once solid and liquid, at once air and stone.

Erica Jong

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand.

Lord Byron

A train-ride takes you from Milano to Venice..whose real name is Venezia, the Most Serene city and splendid, golden Republic. On the train you think about Byron, his letters written on trains, his Venetian Countess.

Through frozen fields and dormant earth, through fog and long-gone rice paddies , you deboard to the Sublime.

At dusk the lights from bars and cafes shimmer on the dark waters, and you start thinking in cliches, such as temporarily inhabiting an Impressionist painting.

Yet the feeling is fresh and true: each visit to this surrealists’ dream had its poignant moment of suspension of disbelief.

Each time the city grabs you and takes you away with her.

Here’s a taste of today’s acts of flanerie in La Serenissima.

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Various Graphite Media, depicting 'Dwelling for Imaginary Civilization of Little People,1998' by Charles Simonds. Made in clay, adobe, paint and housed in the New Mexico Museum of Art. August 2011.


Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.

It is a beauty of things modest and humble.

It is a beauty of things unconventional.


From
Wabi-Sabi for Artists, Designers, Poets & Philosophers


Photo via minecaching.tumblr.com. Click for source.



Charles Simonds began building clay villages, ruins and what he termed ” dwellings for imaginary civilizations of little people” in the 70’s, in New York.

His microscopic urban interventions at one point could be found, among others, in Paris, Venice, Shangai, Dublin.

They are now housed as prestigious artifacts in art collectors’ homes and museums (like the Whitney in NYC).

Photo via whitney.org. Click for source.

Photo via whitney.org. Click for source.


Click for more Charles Simonds’ dwellings

Watch the video: Dwellings 1972

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Simonds and Sarah



Salmon kisses,

I knead  essays at night

dream perfect poems–

lost silver strands become your hair.

I make collages of languid bathroom quotes,

images and cities.

Night drunk with words,

your eyes are full of them–

nestled in the cup of your arms

like Simonds’ tiny city in a new york warehouse.

A word thief,

of raspberry essence–

the poetry of portugal:

“Your toes are

little ducks

Sita to Shiva…”


You say I’m used to you like my mandatory doppio cappuccino,

Sarah’s velvet voice,

heaven in Corcovado nights.

You say my poems always have three words:

almonds, apricot, oil.

Here you go:

Downtown is on fire

Your almond eyes float like moons

Your skin is oil on water,

Apricot lips.


Berkeley, August 2011

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In Tea Veritas. New York City. June 2011.

Well, this is no good! August is almost here and once again balmy summer days flew by with traveling, urban escapades and some R&R…while the postings have been mighty sparse.

I have been a curious tourist in my own city and state, and, in between summer courses,  the roamings included a visit to Joshua Tree National Park, Much Ado Abouth Nothing, a tour of the Getty Villa in Malibu, an evening dreaming of Cuba and its Architecture and finally, a retro movie under the stars. There have also been some further experiments with jewelry design. And many caffe’ shakerato’s. And many of foreign movies.  And declutterings, of tangibles and intangibles. I have been busy.

I am back from my adventures for good now, just in time to be blindsided and crushed by Amy Winehouse’s death (more on this later).
I have some shots to share from my travels, the challenge now is not to turn this into a photography blog (after all it is called *sketch* bloom) so i will be back tomorrow with more sketches and plan to alternate photos with drawings and collages for the next few posts.

It’s good to be back, renewed and energized.  I hope this month was good to you too.

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City of Salt by Nicholas Kahn and Richard Selesnick. Image via amazon.

“Here is a splendid volume from the Terry Gillam school of fictional photography… The book comes in a sturdy slipcase and features complex landscapes, painstakingly created, and digitally peopled by actors playing out scenes which conjure up a mystical Middle Eastern civilisation. Enigmatic, but beautiful.”
AG Magazine

“This is a beautifully structured text with an imaginative use of words and photography. This wondrous book of tales is a complex work of art that will be read throughout our generation.”
Focus: Fine Art Photography Magazine

“City of Salt… creates and documents alternate realities in miniature, accompanied by narratives inspired by Sufi tales, Italo Calvino and more.”
Michelle Wildgen –Publishers Weekly

 

The City. Image via kahnselesnick.com. Click to enlarge.

Suspended! Image via kahnselesnick.com. Click to enlarge.

 

Two Streets. Image via kahnselesnick.com. Click to enlarge.

 

The Flyer. Image via kahnselesnick.com. Click to enlarge.

 
From Amazon:
 
Panoramic photographs of fantastical landscapes make a bizarre Baedeker to alternative realities in City of Salt, by Nicholas Kahn and Richard Selesnick. The second volume, after Scotlandfuturebog, in an intended trilogy of such otherworldly guides juxtaposes those scenes with similarly inspired texts: Sufi tales, the writings of fabulist Italo Calvino, and parables by the artists themselves. The strange deserts, marshes, sandy shores, villages, and fields are often traversed by wandering figures, frequently in peril or precariously alone. Kahn and Selesnick’s process combines sculptural and photographic media. The artists first construct the intricately detailed worlds in three-dimensional miniatures and dioramas, then digitally photograph the scene and populate it with characters in allegorical, though intriguingly puzzling, tableaux.
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I ran into this gorgeous, oversized, substantial book few years ago while visiting UCSD’s excellent Architecture library. Words and images weave imaginary tales and create an escapist landscape. May days verge on the surreal, time is suspended, perhaps in a cruel, paradoxical loop. To travel through time, for once forward instead of backwards…to harness the days as though wild horses, bridle their energy. May seems to slip through my fingers, each time. I am lulled by the calm (before the storm? No, before more tense calm.)
Dreams and collages await. I find the only cure for restlessness is mindful awareness, in brilliant execution of each undertaking- as small as it is, as humble as it is. Ambition can paralyze you in May, when mid-year approaches and mental harvests take place. Each day we need to reconcile heaven and hell within us. Refusing to attemp the feat, or lack of acceptance of our opposite instincts,  is the only way the battle is lost. In numbness lies defeat.

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Ink on Paper. January 2011.

 

As designers, architects, artists, we use the ability to first visualize then communicate  a desired outcome. Implementation means having the courage, discipline and perseverance  to  bring that vision into the physical realm. I love to write, and to write lists, but this year I am doing something different with my 2011 resolutions. I am drawing them. It sems to be working. On good days, and they are abundant here in San Diego, you can find me in the park, chasing the sun and reading. An old-school physical book.  The previous specifications is now necessary due to the variety of reading options we have (what is your pleasure, or rather, your poison: smartphone, kindle, ipad, TMZ on your laptop?). These are my immediate, must-finish charges: 

Ink on paper. February 2011.

Books:

Inchoate: An Experiment in Architectural Education. Angelil, Marc and Liat Uziyel, eds.

The Architect: Chapters in the History of the Profession by Spiro Kostof

Sketching and meditating. Two resolutions, perhaps one and the same.  

Ink on Paper. January 2011.

 

Pondering on drawing, as opposed to writing, resolutions led me to think about visual vs. written and oral communication.

While drawing-or diagramming-a goal may help provide us with clues, visual or other, that help us actualize it, I don’t buy the argument that ‘visual’ people can only best communicate their intent through images. This is also known as ‘a picture is worth a thousand words’ syndrome. By the same token, I refuse to accept that ‘visual’ people only understand material if it’s accompanied by images and therefore should be excused if they are poor readers or listeners. That is plain laziness. There are notions and topics  in this world that cannot be boiled down to neat Powerpoints (even though, heaven knows, we have tried to even run wars through the ubiquitous slide application), but require flight of the imagination, suspension of disbelief, and the ability to follow (picture-less) complex arguments. In trying to explain critical thinking, images run the risk of appearing like obtrusive clip-arts, obfuscating rather than enlightening.

The tyranny of the visual often lets us  get away with having inferior written and oral communication skills. I don’t buy the ‘visual’ doctrine (or fallacy) with my students or my architecture colleagues. Maybe it’s because I come from a linguistic lycaeum, was an English Minor, and come from Italy, but the way a person speaks or writes is more important to me, or revealing of their character, than any imagery or composition she or he can conjure up on a board. And here I need to say that, lest I behave like a whitened sepulcher, I know I have failings when trying to communicate: typos due to late night writing, listitis (I make too many lists), lectures that tend to go on a tangent and probably what is called mild A.D.D in this country (or severe A.D.D…depending on what day you ask my students;)). Lastly the fact that, no matter how many years I live here, my soul is Italian and so is the way to express myself, and we do use lot of what here are called ‘run-ons’ in writing, and perhaps even talking. We are peripatetic, scenic-route communicators.

Ok, so I am not perfect: let the flawed still admire and aim at beauty.

I ask the person I listen to to paint a convincing, even seductive picture with their words, to evoke the sense and meaning of their process. Of course exact,clear words go well with exact, clear drawings and diagrams, but seductive images without substantive explanations or clear, logical statements leave me dry. The literary arts are for the most part lost to modern architecture students, beyond the required ‘humanities’  and enticing (but seldom frequented) advanced elective courses. The result is professionals who are literate in CAD, codes, building, or even ‘architecture’, but illiterate in the sense of the global collective written word, and therefore culture. Shouldn’t the designers of shelters for the human race understand its most lyrical expressions?  Shouldn’t they design for man and woman’s highest aspiration, rather than the lowest common denominator? We ask architects to create places of Beauty, places that inspire, to design poetic aedifices. Without knowing what poetry is, without at least having been exposed to it, that is an impossible feat. If architecture is the Mother of all the Arts, should it not contain them? Literature, philosophy, liberal arts, music…Where are you Muses in our curricula? We have modified –and are moving towards transforming–the academic requirements for the make-up of the future architect based on the needs (vocational at best ) of field practice, a large number made up by corporate building farms, where architecture is just a sign on the door. Of course we aim for graduates ready to enter the profession, but hopefully we are also aiming for critical thinkers, whole individuals who can inspire, not just perform.  What should lead, follows. The trend can only go downward. I am talking about cad monkeys, or people who are paid ‘to draw, not think’ –I was actually told that many years ago. Call me irrational,  but I call for mandatory poetry courses (mandatory poetry! an oximoron). Call me utopian, but world literature should be as much part of an architecture curriculum as world architecture. When you know, you cannot unknow. I always say that. When you are exposed to possibilities and ‘big questions’ you cannot accept passively that things are just the way they are because they have always been. Poetry and literature are democratic expressions, highly dangerous to the status quo. And therefore highly desirable.

In my quest, I ran into this book. I am collecting a body of critical readings (for myself!) and this book will definitely be included.

Downcast Eyes: The Denigration of Vision in 20th Century French Thought, by Martin Jay

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Before the first day of the month comes to a close…

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Santa Maria Delle Grazie with Bramante's apse. Milano. Pilot pen on paper. January 2011

 In the monastery adjacent this church, just a few minutes’ stroll from my house, one can find Leonardo Da Vinci’s ‘Last Supper’. The apse (widely attributed to Donato Bramante, and dated around 1490) is significant as it signals a crucial transition from the Late Gothic style of the nave to a splendid Northern Italian Renaissance in the apse, the choir and cupola.

.25 technical pen on cardstock. January 2011.

Photoshop manipulation of pen drawing. January 2011.

MITI’S RECIPE FOR SKETCHING:

Day One: Look. (First Encounter)

Day Two: See. (Visual Analysis;walkaround…resist the urge to take photos. Training your eyes will not only lead to better sketches, better lessons learned from the Architecture itself, it will lead to–if you are so inclined–even better photography in the end. Notice, examine and mentally record -on the exterior- connections, details, rhythms, proportions, materials; on the interior: spaces, rituals, light, sequences, apertures, passages…)

Day Three: Sketch. (even quickly…by now you learned the lessons, you acquainted yourself with the building. You begin to understand.) Use the verb ‘to draw’ as in drawing water from a well, draw information (this last advice comes from Travelling the World with an Architect’s Eye)

Tips for cold-weather sketching: stop when your legs fall asleep. Wear half (I call them ‘homeless-style’) gloves to keep the hands free. Listen to warm music on your ipod. Bring a thermos or mug with hot, organic, unsweetened english breakfast tea.

And…

for impromptu urban sketching, carry your pens with the very handy penholder by Muji (did I mention before that I love Muji?)

Sketchbook by hand book, penholder clip by muji.

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Photograph, December 19, 2010

This is my piazza, do you want to join me? We can walk inside the Battistero and talk about Islamic influences in the architecture of the Rinascimento in Firenze…or maybe just stroll about like tourists. Let’s take that via,the one on the left, do you want to come with me?

Every time I consider  imaginary spaces, my mind wanders to The Forgetting Room, that magnificent book.

Should we build a forgetting room for this year (to let bitter memories flow onto Oblivion)? Or a remembering one (to extract poetry and melancholy …even, ah, wisdom…out of hardship? – the feeling of seeing a familiar river in winter). God knows I built enough altars, and burned enough. I haven’t yet learned if sadness is better than anger.
2010, what a stubborn, bittersweet, impenetrable year you were….I release you, since I could never reach you, no matter how hard I tried, or how much I mentally applied myself to understand you.
Perhaps you were never meant to be comprehended. Perhaps you were not worthy.

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The beginning of an urban scenario collage. Oct.19, 2010.

I have been thinking and wanting to explore collages again since this summer, when I was so inspired by Hector Perez and his students’ work with SoCal Ex–but not until today I finally acted on that impulse. I have two works done and one almost complete. Two to share, and one part of a larger, more ambitious project that will have to wait for a bit.

What I love about collages is their sustainability (this below was made for prints that were to be thrown away), and their serendipity. There is a magic about collages, finding enough materials or copies of subject to bring a piece to completion, or that sudden inspiration that constitutes the ‘aha!’ factor of the collage. I am referring to old-school paper, scissors and exacto knife collages, glue-messy ones….there is nothing like digging through your collage material container and unearth and reassemble a work you didn’t even know existed or could compose.  The root of the word collage is the same as the  French verb ‘coller’ or to glue (a latin verb, in italian ‘incollare’). Collages are associated the the Cubist and Surrealist art movements in the last century. Picasso and George Braques are said to have coined the term. In Surrealism, we find more three-dimensional assembly/collages that resemble nonsensical machinery. There is a very fine line between sculpture made of found objects and three-dimensional ‘collages’. The key being, in my opinion, the spontaneity and uplanned process leading to the finished product, which, really, is never meant to be finished.

The exploratory aspect is the most attractive component of the collage process to me, the element of surprise, play, even psychological discovery that all contribute to give life to a work. It is quite extraordinary how when the mind lets go the art takes over (you can call it soul), and such a welcome relief from too much art that is planned and executed like a project. Collages keep the wander, let us, like sketching, solve ourselves. There is no right or wrong because the destination is never known in collages. How utterly liberating.

Yet the best collages, like the best works of art, appear undeniable in the end, as if the piece just ‘made sense’;  they acquire layers of meaning with passing of time, age well, even acquire a certain patina. More than anything, they became more lovely or intense with each time your gaze falls on them. The personal fragments embedded in the collages will echo throughout the years; they will forever signify a time, place and emotion captured, crystallized, amplified.

In architecture, collages are extremely useful right-brain experimentation, and we see the Situationist using them to chart new maps of possible cities. We see collages in the 1960’s and 70’s in the works of  Archigram, Superstudio, Coop Himmelblau and others.  Richard Meier is a starchitect and collager. Whether or not you favor his brand of architecture I think that we all, as architects and academics, ought to have, like him,  a way and time  to let our innate sense of creativity develop, A time to use our hands (not the mouse, not the tip of our finger)and remember how to let our mind play and discover itself. Build something with our hands, an alternate reality, even if  paper-thin.  Collages are where we can dream, using pieces of reality. I suspect that regular collaging would open us (and our art/design)  to  inspiration, mental flexibility, maybe even brilliance. 

Richard Meier’s collages complement his architecture. Unlike his architectural drawings, they are nonrepresentational; like these drawings, they record process.  Like his architecture itself, they study relationships in space and seek difficult reconciliations of the opposed conditions of “found” discord and ideal order.

“A single collage is not begun and finished by itself,” says Meier. “On the contrary, works in various stages of evolution are left in notebooks and on the shelves of my studio, left sometimes for months or even years to await their own period of development.  A collage is often the result of many revisions.  Each must be seen as an element in my total work; they are, for me, an adjunct and a passion related to my life as an architect.”

“Meier has an eye, and a mind to use it,” the architect John Hedjuk has written.  “He doesn’t create all those collages at night at home for nothing.  The collage making is his midnight boxing ring.  It keeps the hand and the eye trained.”

This is what I have been working on, all material from extra pages from printing this blog for my mom in Italy (I send monthly installments via mail because she refuses to make friends with computers. Mamma, when you read this, know you killed a tree ;)).

I applied an ‘antiquing’ crackling glaze to the glazed canvas so we’ll see how it develops. I dig the diagonal/chainlink texture which resulted from the juxtaposition of the pieces. The celling adds an architectural/design reading to the piece. What do you think?

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After some meetings today I stopped by the library, Futo coffee in hand, and indulged in my favorite Architecture periodicals: Domus, Architectural Review and Harvard Design Magazine. An article on Surrealist Houses launched an expansive search on the Architecture of René Magritte; will share some of the findings here.

I've had Magritte (and collages) on my mind. Digital Manipulation on a photograph by Vijay Raghavendiran.

I am also thinking about watercolor these days: in both Freehand Drawing and Rendering and Delineation classes we are working with loose techniques. Here are some images that stopped me in my track during my quest.

Winter in Florence-La Pioggia- Watercolor and Ink. Professor George S. Loli, Dept. of Architecture, University of Louisiana-Lafayette.

Starry Night over the Rhone. Vincent Van Gogh. 1888.

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Pilot Pen V5 (aka Pilot Precise Extra Fine) on office pad. August 3, 2010.

Drawn with Pilot Pen V5 (aka Pilot Precise Extra Fine) on office pad. August 3, 2010.


The Man with Many Pens

by Jonathan Wells



With one he wrote a number so beautiful

it lasted forever in the legends of numbers. With another


he described the martyrs’ feet as they marched

past the weeping stones and cypresses, watched


by their fathers. He used one as a silver wand to lift

a trout from its spawning bed to more fruitful waters


and set it back down, its mouth facing upstream.

He wrote Time has no other river but this one in us,


no other use but this turn in us from mountain lakes

of late desires to confusions passed through


with every gate open. Let’s not say he didn’t take us

with him in the long current of his letters, his calligraphy


and craft, moving from port to port, his hand stopping

near his heart, the hand that smudged and graced the page,


asking, asking, his fingers a beggar’s lucent black,

for the word that gave each of us away.



More poetry from the New Yorker


I confess: I am weak for love pens and other writing instruments.

I have had a fascination with pens (and office supplies) since I was 4, when I would help organize my mother’s supply center at work.  I was very scrupolous 🙂  In college, buying pens at the Varsity Store on Campus, or better yet, at Mathison’s,  was therapy.  Above you see my sine qua non pen.

And, one more thing  for today: my blogsister Ghadah at PrettyGreenBullet gets an A.

Ghadah Alkandari. Isograph and Marker. Hand Exercise from 'Drawing on the Right Side of the Brain' (Aug.2,2010)

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Happy June!

I hope the long weekend was restful and re-newing for all. I was fortunate enough to enjoy the beautiful weather in San Diego, and explore the Torrey Pines coast and beaches, and hike a cliff (!) For someone like me , a city creature, who believes in the great indoors, this is no small feat. I love seeing the water, just wish I had a Vespa to do this more often.

Torrey Piney Cliff. La Jolla. Photograph, digital manipulation. June 31, 2020

Today I got some good, official news from my University, NewSchool of Architecture and Design: I have been appointed full-time lecturer. I am incredibly excited to continue teaching on a more permanent basis, and to progress in my academic career, to continue sharing and learning with my students. This summer I am slated to teach First Year Studio, a combination of advanced architectural drawing and visual communication techniques, along with Rendering and Delineation and [roll of drums] Freehand Drawing. Needless to say, incredible opportunities to continue drawing, rendering, watercolor and coffee paintings…all of which I will share here.  As some of you may know, there is still some paperwork to go through in regards to my visa, the support of everyone at my school has been incredible, but , like every good movie, there is suspense at the end. Keep sending good energy.

I want to start June with NaBloPoMo, which is short for ‘National Blog Posting Month’. This is a fabolous site for bloggers, with lots of resources and networking opportunities; it is also associated with BlogHer.  The official National Blog Posting Month  is November (and prizes are given!), but every month members can be part of mini-nablopomo…which means I will do my best to post art and writings every day this month.

This month’s theme is ‘NOW’…a great reminder to ‘take life in one day packages’ as I recently read in a quote.

NaBloPoMo also offers interesting writing prompts for this month, Monday to Friday. Today’s prompt is:

When you were little, what did you want to be when you grew up?

Well, it may not surprise you that I used to gather my friends in the cortile of my house in Milano, a small band of four and five year-olds and set up storytelling classes…I was the ‘teacher’ of course:). I remember planning for each class and thinking of what story I would create for my ‘students’. We only met like four times (it is hard to keep a schedule when you are five and there are so many games and toys to play with).  I distinctly remember looking at books in elementary school and wanting to be a ‘researcher of legends’.

PS: This is my 100th post, a year and three months after I first started SketchBloom, and exactly seven months after its official launch. Here’s to many more!

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Diagrams from Graphic Thinking for Architects and Designers by Paul Laseau


The image above aptly illustrates the process behind diagramming, which is one of summarizing and and rendering a concept more abstract, more immediately communicable. Abstract in this sense is intended as ‘ reduced to the essential’.  Diagrams are, according to Joe Nicholson:

1. a simple drawing showing the basic shape, lay-out, or workings of something

2. a chart or graph that illustrates something such as a statistical trend

3. a line drawing that presents mathematical information

A leap of faith here, and some poetic license, can bring you from the diagrams above to these sketches, inspired by yoga poses.

The link? The day after my landscape /yoga explorations, Joe showed the above slide on a presentation. Serendipity.

Ink on Paper, digital manipulation. May 2010

At-one-ness. Ink on paper, digital manipulation. May 2010


Using CAD as human landscape generator. May 18, 2010


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The Art wall I assembled last night, right in front of Adam's Futo Coffee Cart. Sit, sip a chilled coffee and enjoy.

I spent the better part of last night ‘curating’ and putting up a small show of my students’ work.

Last quarter I promised my Neoclassic to Modern Art students I  would organize an exhibit of their art in the main foyer of our school and I am happy to announce that that’s one promise kept:)

My students had the choice to either write an essay or pick a painting of their choice, research its symbolical meaning and attempt to blow up a detail reproducing  it in the same media of the original.  It was a way I thought students of an art lecture course could get closer to the art.

You can see the results of their efforts here.  My objective was not to have a typical gallery show, but combine all the work as in a collage, interspersing the canvases with the prints of the full scale work the students provided. It was a challenge to combine different shapes, colors (art curating and gallery display being an artform of their own) and be true to some sort of grid. The wall is bursting with energy. This was an Art intervention/injection for our architecture school!

I especially loved the documentation of the process. One student wrote what looked like a blog entry, taking photos of his painting at different stages:

‘It is so strange, I found, once I started painting,

I could not put the brush down.’

Well, my work here is done.

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What you see here is a prime spot, the little urban ‘piazzetta’ we have for drinking coffee @Futo’s, hearing Adam playing guitar (or his always interesting music selection), talking, scheming etc…..

As my professor Francisco Sanin would say, this is a place for moments of urbanity.

It’s a  bit of a clandestine show, art that just shows up during the night….as I did not clear all the red tape forehand, but I am hoping we are going to be able to enjoy these for one or two weeks.

So here, to all the students that asked me in the hallway, or staircases, or doorfront : When is our show?

Here you go:)

Oh, I will be at the San Diego ArtWalk in Little Italy (where else) this weekend, with artists, musician, street performers. My kind of people.
Want to come along?

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Third Street Homes. Final. Watercolor, graphite, Prismacolor pencils. March 16, 2010


I finished my Third Street Homes ‘portraits’  (thankyou
Planetary Folklore for the great quote).

Since the last iteration I refined ground and sky, went over the watercolor with Prismacolor pencils to give the homes some texture, bumped up the contrast, pushed the darks a bit and, finally, worked on the vegetation and added the framing branches. You can see the first and second step here. C’est fini.

Speaking of buildings, here is an artist who goes around the world fixing crumbling buildings with Legos. (!)

The topic of these first three Artuesdays has been watercolor, and I would like to share the work of some very talented folks who are inspiring me for future paintings, in subject matter or technique:

Small Oil Paintings

Linda Halcomb

A Painting Today

Art and Design Studios

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Starbucks Doubleshot can. Ink on trace. 2009

Starbucks Doubleshot can. Ink and markers on trace. 2009

Espresso Cup at Martha's. Graphite on paper. 2009

Espresso Cup at Martha's II. Ink on paper. 2009

I wanted to share some of the things that make life better:

1. A  water bottle that makes you happy and keeps you cool for hours.

Trudeau Cool Down Sports Water Bottle in Purple. Image via cappojim.com

2. a coffee mug that offers you coffee at ideal temperature with new technology

The Brugo Travel Mug with Tip & Cool technology. Image via Amazon.com

… or just looks thermally  good (mine is orange)

Raya Polycarbonate Pink Travel Mug. image via salestores.com

3.  Beautiful Pantone Mugs to brighten your day.

image via yumsugar.com

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I started a new sketchbook exchange with Mike Riggin, a Teaching Assistant at my school.

My initial contribution: illustrating two of my friend Sarah‘s poems, and an origami heart– due to my recent infatuation with Between the Folds).


Also I must, must, must tell you about an art show that could have possibly changed my outlook on life, art, etc.

Tara Donovan, Untitled (Styrofoam Cups), 2008, Styrofoam cups, hot glue, dimensions variable. Artwork © Tara Donovan, Courtesy of the Artist and PaceWildenstein. Photo by Dennis Cowley.

One of the most mesmerizing collection of works  I have ever seen, Tara Donovan’s opus has left San Diego this past weekend, but I for one will find her wherever she will show next.  And don’t buy the book, or even look at my link, which is here for reference only.  No reproduction could ever even attempt to duplicate the sense of wonder experienced in front of one of her works. This is phenomenological art at its best, an art that cannot be reproduced, but must be experienced and uncovered tactically, body-in-the-room, primordially.

You can find a podcast that will guide you through her works here on Itunes. And, while you are there, you can check out Artists on Art.

The shock of understanding will rock you. You will see why Tara was awarded the 2008 MacArthur ‘genius’ award.

No virtuality , no screens.  How refreshing. Hers is one of the faces of Art, and I will refer to her, over and over, when I am asked :”What is Art”?

Art transcends the medium to achieve the sublime.


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Third Street Homes. Graphite and Watercolor. Feb. 25, 2010.

Well, here is the finished (first) watercolor layer.   One more iteration is needed, as much as I am ready to move on to the next project.

Contrast and shade and shadow, ink and lineweight, and perhaps a layer of color pencil for texture.  What I am looking for is for these homes to ‘pop’, and come alive – just as the first house on the left begins to do; perhaps one more targeted watercolor wash is needed (just on the areas of shade and shadow), perhaps just going over with ink.  Perhaps more art, less architecture.  I am proceeding with caution as there is a hair of a difference between a watercolor and a muddy mess.  Somewhere in between there is a rendering that satisfies.   I will keep you tuned.

Speaking about the Impressionists in class last Thursday, we discussed how they believed that an object, painted in a different light, becomes a different object altogether, imbued with a changing feeling, a changing ‘impression’.

Perhaps we, as viewers become different people too.

As I was completing the watercolor I met Wanda, a neighbor, who kept me company for my plen-air session. I told her how Monet painted the same cathedral and haystacks about a hundred times, and we pondered how much persistence and dedication it would take. Would familiarity become comfort after a while, a sort of therapeutic, zen-like activity?

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Third Street Homes- Ink on trace. February 24, 2010

Third Street Homes - Graphite and watercolor. February 25, 2010

I have been squeezing some plein air drawing/watercolor-ing in between classes, lectures and sketchbook exchanges.

This is the continuation of the project started last week. I inked the pencil drawing to use for a future marker rendering, and started to give it some lineweight, while I continued with some washes on the original- now finished- pencil drawing. Hope to finish to the watercolor tomorrow.

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Happy Tuesday. Throughout my four years of teaching Tuesday has always been my ‘work at home’ day, the one costant in the changing tides of quarters, classes and schedules. Today I thought I’d start a special Tuesday section, when I have more time to start new projects. So here is the first artuesday: this is the view I wake up everyday to, small happy townhomes in earth colors. I always wanted to do a watercolor of these homes on the edge of urbanity and nature (they sit on a canyon in uptown San Diego). Yup, I live near a canyon, yet in the city, more on this later. So here is my progress, I started with some guiding lines and this is as far as I got today. The watercolor will be a simple wash.
[click to enlarge. Unfortunately, soft graphite drawings are infamous for not scanning well]

Starting the drawing with tree shadows, to warm up the hand. From stationary point on the ground, the proportions are lightly drawn.

Vertical guiding lines.

Vertical and horizontal guidinglines of doors and windows-

Drawing and leaning on car, then sitting on the curb or grass in front of each house in my neighborhood was fun, and different cause I *never* hang out near my house. I even met a neighbor who was an artist! Doing art outdoors can tell you so much about where you live, and I am so glad no paranoid people called neighborhood watch on me (:P)

I used a Derwent Sketching for roughing in the proportions, the (only) tree and the tree shadows. You can see my new Faber Castell mechanical pencil, bought in Kuwait. What a dream drawing tool, see how ergonomic it is? (ok I will stop showing off now).

Derwent Sketching 2B, Faber Castell Grip Matic 0.5, Staedler eraser, Kneading eraser (to tone down lines).

A thing of beauty. The eraser part twists to reveal the eraser stick.

Sometimes I see my students sketching from photos, and it breaks my heart: there is nothing like the training of the hand to succeed as a designer and architect. I like to tell them to use the verb ‘draw’ as in ‘drawing information’.

THE IMPORTANCE OF SKETCHING

Don’t get me wrong, I am not a dinosaur.  I love Sketchup, as a 3D modeler use 3D Max, have done my fair share of CAD and Revit and  Photoshop is my religion, but, as this article says, if you don’t know how to draw and sketch, and quickly convey your ideas through hand-eye coordination, your role as an architect will be very limited. Thank you to Andrew Duncan for sending me this.

Should rulers be outlawed when sketching? I believe in training your hand to be a plumb weight, creating straight yet ‘human’ lines.

Ah, the ‘Tyranny of the Straight Line’!

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