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Archive for the ‘Artuesdays’ Category

Collage. Mixed Media, Golden matte medium and glue. March 15, 2020. 9” x 12”

I return.

With some scraps pasted on watercolor paper, with a draft of a poem. Like a pater familias who periodically abandons the domestic domicile and neglects his duties to answer the siren, wearing only a backpack.

Wanderlust. It’s in my blood.

Five minute Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
Ten minute response Collage. Mixed Media, Golden matte medium and glue. March 14. 2020. 4”x 4”
Ten minute response collage. Mixed Media, Golden matte medium and glue. March 14, 2020. 4”x 4”
Three element collage . Mixed Media, Golden matte medium and glue. March 14, 2020. 4”x 4”
Five minute collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
Five minute collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”

So, before they shut down California and closed all her beaches ( I can just see the headline of Italian newspapers: California Surrenders), I attended a mixed media workshop taught by an empowering teacher, Crystal Marie.

These are the outcomes ( and voyages ) from Collage and the Intuitive Voice — A Collage and Writing Collaboration , hosted at the idyllic Way Art Yonder Studio, owned by my friend Jana Freeman. My heart rejoices when we take the right turn to the house on the hill, where my spirit can sing, where it is okay to play.

My station at Way Art Yonder Studio ❤️
Taking shots for the ‘gram.
By the way, you can see more process photos, work from my fantastic colleagues, read the quotes I collected – aaand follow me and my wanderings live – on Instagram : @sketchbloom
Laying down the pieces from the “piles of possibilities”. This collage prompt came from our morning pages.
Finished piece! It is very joyful to me.
How to grow an artist. How to grow SketchBloom, my digital studio. A process that requires support, mindfulness and grafting, as in growing a new type of fruit.
“ How To Grow An Artist.”. Mixed Media, Golden matte medium and glue. March 15, 2015. 9” x 12”

I was able to join Crystal last year for an encaustics and collage workshop last February , with exciting results and exposure to new techniques. I posted my work from that workshop on Instagram and will feature it here next.

This time the experience was deeper. I came away with sooo many lessons, quotable quotes and insights: the journaling/writing aspect of the workshop was incredibly soothing and therapeutic in personal fraught times ( Italy was preeminent in my mind). I love returning to writing, my first love. Most importantly, I was able to reflect and share and CELEBRATE what it means to be an artist.

Redacted morning pages. Quedate con lo bonito = Only keep the good. Quotes on being an Artist.
Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 9” x 12”
A small tribute to the most beautiful country of the world, now mortally wounded.

Now, I could berate myself for only producing artifacts at this intense levels once a year when I attend these workshops, but let’s not do that. Other duties and career and life commitments vie for time..I just enjoy the return each time. Like a soldier returning from war, knocking on a door— as as they say in Mad Men.

Dichotomy: my architecture world vs. my art world
Response Collage (10 minutes) Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”

Each day is a new beginning, like the title of the little book I found in the alley of my building, full of smoke and the story of a recovering alcoholic. Each breath. Each spring.

These are the days of stasis — the dormant days or deepening ones.

Collection of 5- minute Collage. Mixed Media, Golden matte medium and glue. March 13, 2020. 4”x 4”
A work in progress, beautifully unfinished.
My wonderful teacher Crystal Marie!
One of Crystal Marie’s motto : Just Glue It.
What I see of my work/myself ….
How other people see me/ my work or … what I let people see…
Here my work and my desk — all cleaned up— on Final Presentation Day ( pardon my archi-speak).
Ciao Way Art Yonder Studio! See you soon!

Before I leave you to my draft poem ( upcoming post ) and artifacts from my latest retreat — and a retreat it was, from life and obligations…Art is always a refuge…before I push publish on these collages of words and paper and sticky stuff, I just want to say that this is the time to finally read ”La Noche que Volvimos a Ser Gente”or “The Night We Became People Again” by José Luis González, inspired by the big New York blackout of 2014.

The night will be longer this time.

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Paintings by Suanne Summers

On Sunday I was lucky enough to spend the afternoon at my friend Jana Freeman’s Way Art Yonder Studio for one of her monthly open studio days. I met Jana at my school, first we were friendly colleagues then mischievous friends, and now she is living the Dream running her own art studio and hosting incredible workshops with Mixed Media artists the world over…

Here is a sample of the work I was “curiousing” on on Sunday ( yes, I am making up this word). Most of the vibrant work I photographed is by Suanne Summers, then there is the dreamy stitch/ fabric art of Shelley Watkins and the layered collages of Krista Jarrard. Jana, the studio owner, can be seen completing one of her exquisite pieces. This is my Art tribe, comprising of Carla Bange who could not make it this time.

Paintings by Suanne Summers

Collage in progress by Krista Jarrard

Jana in the process of assembling one of her captivating mixed media works on small square canvases, painted black.

This cool collage is by a sweet lady from Minnesota (!) . I will find out her name 🤔[[[[[[

Fabric/stitch art by Shelley Watkins. She dyes her own fabric 😮

Above, Jana and her regal ring touching one of Shelley’s distressed samples of fabric. She uses a process involving peroxide to “ eat through” the fabric. We named this “ Dickensian Orphanage, or the street urchins.”

Here is more of Suanne’s work:

What can I say, these ladies have been at this a long time and I need to up my game and get back to my collages instead of collecting drawerfuls of materials (but if I say so my self I have lots of exciting materia prima from my travels).

But first I want to finish my “flower portrait”- here is the work-in-progress ( which will include poetry and mixed media). The

The original was GORGEOUS, made for me by a very special person who ” painted” my portrait with handpicked flowers. {swoon}

Work in progress, acrylic on canvas.

Jana and I at Way Art Yonder, my happy place!

Thank you Jana!

I will soon be back under the portico with my bags 😉

This is one place where I don’t feel bad lugging all my stuff with me- as all the other tribe members do the same. I think I found my people.

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Yesterday I was lucky enough to visit the old section of the town of Vittorio Veneto, in the region of Veneto, in Northeastern Italy. Present-day Vittorio Veneto is the result of the fusion of the municipalities of Ceneda and Serravalle after WWI. 
The photos below are of the old Jewish ghetto of Ceneda, and the centro ( center or downtown) with its villas, park and piazzetta ( small piazza). 


The Church pictured just below was a surprising find: it is the oldest churchsite I have ever visited, and dates from the IV century (!!!).  The Church you see was rebuilt in 1400, a millennium after the first structure was erected. The timing boggles the mind: in 313 CE Constantine declared Christianity the official religion of the Roman Empire with the Edict of Milan, and on this site a church was built shortly thereafter. 



Serravalle, like Treviso, the regional center of the prosperous region of Veneto, features frescoes on the façades of buildings. This is something fascinating that I learned during this trip (from my mom, who is from Treviso) Frescoes in Serravalle- a town of Roman origin-were not just relegated to the interior of churches, but graced the buildings’ street elevations and were painted by notable local artists. Most of the palazzi date from the 1400’s. What was depicted on them? Hard to say from what remains in Serravalle. I could discern some courtly scenes  and patterns/coat of arms. Both here and in Treviso, the frescoes were plastered over during one of the bouts of the Plague, in a misguided effort to ‘disinfect’ homes. 

One of the photos depicts the winged lion of Venezia (Venice) on top of a tall pole. This whole area was indeed part of the inland empire of La Serenissima (the most serene) Republic of Venezia.

The best part for me, as a flâneuse was walking through the many porticoes of Serravalle. Enjoy my flâneuring..

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Digital experiment using layers from the Tayasui Sketching app + Procreate app on IPhone 7. Excerpt from the novel Chokher Bali by Rabindranath Tagore. November 15, 2016.

 




For lifelong companionship, it’s not necessary to live together.

We have gone as far as we had to go.

From here, our paths diverge.

It’s better for both of us.

I will atone for my mistakes by serving other people. If you settle down, I swear, I will be really happy.

Now I have no grievances in this life. Life has done us a big favor by bringing us together again. Otherwise, we wouldn’t have been able to resolve our grievances.

I was at fault, but you didn’t let your love for me wane.

Your Binod will learn to live with the help of this thought.

Before leaving, all I will ask is that…

..in our next birth, you should only belong to me.

Don’t belong to anybody else.


From the last letter of Binodini to her beloved Behari. 

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Northern Hemisphere,
June 19 and June 20, 2016.

Strawberry Moon and Solstice, an event that occurs every seventy years.
Full moon as the Sun stops to take Her in; the union of the masculine and the feminine. I hope you  have been casting spells, and were looking skyward.

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Hello Stranger!

In case you are wondering what happened to me and why I’ve gone M.I.A during the month of February and most of March, the board above is one of the reasons. As it happened in 2010,
our school underwent an enormous accreditation visit, which meant preparing for months collecting, documenting and providing evidences.

One of the best things to come out of the work leading to the Accreditation was that Faculty was once more asked to prepare a record of what we have been doing – outside of teaching- the past five years.
It is a monumental task to audit, select and curate five years of life, work, art – yet I welcome the chance to take stock of where I have been, for it points to where I want to go. This process of self-evaluation is a privilege not afforded to many professions, and I was thankful for the challenge.
We were also asked to write a brief narrative. I worked on this more hours than I care to admit and I am happy to now share this with you: words, drawings and travel photography — some of which hasn’t been seen here yet! Hope you enjoy it.


“The French writer Daniel Pennac describes the notion of  the passeur, of the ‘transmitter’, as intimately connected to the ownership of culture.  He considers pedagogy as a branch of dramaturgy: a great teacher is a playwright, a vector of knowledge who instills curiosity, personifies her subject, and communicates passion. As an academic, designer, artist, and poet , storytelling is central to my work.

When I was six years old, fascinated by a book of folktales of Northern Europe, I decided I wanted to be a collector of legends. Though my path took me to Architecture and Fine Arts, teaching History of Architecture brought me to travel to Latin America, the American Southwest and the Caribbeans  where I began to record the history of place through the stories of its native people, These ‘stories of architecture’ become the framework of my courses. Through drawing, urban sketching, collages, photography, and writing, my preoccupation has been with collecting, documenting, processing and communicating narratives – while letting the spontaneous unfold.”


Miti Aiello, San Diego, March 2016

Writer Update:

My abstract on my research on Storage Cities has been accepted by one of the two main Architecture academic bodies here in the U.S for presentation at their International Conference! They are sending me to Santiago, Chile in June, and will publish my academic paper. Too excited for words. If you want to get a sneak peek and read my abstract check out my academia.edu page.

This is likely a hello/byefornow.
I wanted to update my blog now that classes have ended for the quarter, and before once again leaving for Mexico, this time in Baja California Sur for a week of volunteering. Faculty and students of my school are going to help build a healing center using natural architecture in a location that is three hours away by car from the closest road. It will be very remote, challenging and, I am sure, transforming. I will document everything.

Few weeks ago I wrote that, sometimes, we don’t have time to do art because we are too busy living a life that is art itself.
That is a true blessing, amidst the inherent challenges.

Although I have not posted here, I have not stopped taking photographs, seeing, collecting, thinking. My hope of hopes is to get caught up with my posts this summer…Promises we have heard before…

“You don’t need motivation.
What you need is discipline, young lady!”

Joe

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