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Archive for May, 2014

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Break my Heart in Three Hundred Words – Or Less


The light is lilac in the morning
Red at night
A blush of time
I was shedding skin
When I met you


San Diego, May 2014




….and that is the only thing I want.
And since I can’t have that, I don’t care about the rest.

I don’t care about anything, anything.

Anna Karenina

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Luminaires- Café Lulu. San Diego, May 9, 2014. Ink, marker, digital collage.

Luminaires- Café Lulu. San Diego, May 9, 2014. Ink, marker, digital collage.

 

 

On Being an Artist

Noelle Kocot

 

Saturn seems habitual,
The way it rages in the sky
When we’re not looking.
On this note, the trees still sing
To me, and I long for this
Mottled world.  Patterns
Of the lamplight on this leather,
The sun, listening.
My brother, my sister,
I was born to tell you certain
Things, even if no one
Really listens.  Give it back
To me, as the bird takes up
The whole sky, ruined with
Nightfall.  If I can remember
The words in the storm,
I will be well enough to sit
Here with you a little while.

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All images and text © 2013 Rose-Lynn Fisher

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Tears of Remembrance. Rose-Lynn Fisher, 2013.

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Tears of Release. © 2013 Rose-Lynn Fisher

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Tears of Possibility and Hope. © 2013 Rose-Lynn Fisher

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Tears of Momentum, Redirected. © 2013 Rose-Lynn Fisher

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Tears of Ending and Beginning. © 2013 Rose-Lynn Fisher

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Onion Tears. © 2013 Rose-Lynn Fisher

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Tears of Laughing till I’m Crying. © 2013 Rose-Lynn Fisher

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Tears of Elation at a Liminal Moment. © 2013 Rose-Lynn Fisher

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Tears of Timeless Reunion. © 2013 Rose-Lynn Fisher

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Basal Tears. © 2013 Rose-Lynn Fisher

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Tears of Change. © 2013 Rose-Lynn Fisher

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Tears of Grief. © 2013 Rose-Lynn Fisher

 

A friend of mine, The Book Madam, shared this lyrical work – and I could not help passing it on.

Haunting, mesmerizing and beautiful, the Topography of Tears reminds us that there is an architecture to our memories, our grief, our love.

The stark landscapes depicted are aerial maps of emotions – tears may spring from the eyes, but they are crystallized by our minds.

Seen at a microscopic level, tears become tangible maps of our heart, site plans of our soul-states.

Our alchemy knows the difference between the landscapes of memory, cascading mirth, the drifting flotsam of grief, and the continents of hope.

 

From the author:

 

The Topography of Tears

 

‘The Topography of Tears is a study of 100 tears photographed through a standard light microscope.
The project began in a period of personal change, loss, and copious tears.
One day I wondered if my tears of grief would look any different from my tears of happiness – and I set out to explore them up close.

Years later, this series comprises a wide range of my own and others’ tears, from elation to onions, as well as sorrow, frustration, rejection, resolution, laughing, yawning, birth and rebirth, and many more, each a tiny history.
The random compositions I find in magnified tears often evoke a sense of place, like aerial views of emotional terrain.
Although the empirical nature of tears is a chemistry of water, proteins, minerals, hormones, antibodies and enzymes, the topography of tears is a momentary landscape, transient as the fingerprint of someone in a dream.

This series is like an ephemeral atlas.
Roaming microscopic vistas, I marvel at the visual similarities between micro and macro realms, how the patterning of nature seems so consistent, regardless of scale.
Patterns of erosion etched into earth over millions of years may look quite similar to the branched crystalline patterns of an evaporated tear that took less than a minute to occur.
Tears are the medium of our most primal language in moments as unrelenting as death, as basic as hunger, and as complex as a rite of passage.
They are the evidence of our inner life overflowing its boundaries, spilling over into consciousness.

Wordless and spontaneous, they release us to the possibility of realignment, reunion, catharsis: shedding tears, shedding old skin.

It’s as though each one of our tears carries a microcosm of the collective human experience, like one drop of an ocean.’

 

Rose-Lynn Fisher

 

Check out her other work at rose-lynnfisher.com

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Thank you mamma for letting me draw on the walls with permanent markers, for drawing our profiles in the moonlight, for the watermelon eaten with spoons on a beach still asleep, for all the walks,  for the picnics in lawns amongst the highways, where you would bring my net, so I could catch butterflies.

I’m still catching butterflies.
I love you.

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The sacrificial lamb- an old leather jacket already repaired twice.

The sacrificial lamb- an old leather jacket already repaired twice.

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With my pattern and leather in the Materials Lab, to trace images in Illustrator and experiment with the laser cutting process. “The object feels good if the process feels good.”

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The laser etched leather swatches. Fire drawings…scars…tattoos and cattle branding.

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Preparing for night surgical cutting, tailoring and riveting. And documenting. The whole project came about in three days (Friday to Sunday), but was months in the making (and in the thinking, and in the promising).

 

 

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The prototypes are done!

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Laying out this graphic board illustrating the process took longer than I would like to admit. In the end, it was a process of elimination…which is the secret to design, really.

 

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Exhibit time. Board layout #2 with Illustrator patterns :).

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Project fini. Ready-to-wear, custom-made temporary leather tattoos....by yours truly.

Project fini. Ready-to-wear, custom-made temporary leather tattoos….by yours truly.

 

 

Idea #13: Temporary Leather Tattoos

Experiments with recycled leather, tattoo patterns and the laser cutter in our Materials Lab for the Action/Reaction Faculty show, where students react to faculty work.

I chose to explore these tribal tattoo patterns I drew long ago and finally turn them into ‘temporary’ leather tattoos – since an actual tribal armband tattoo is out of the question (#italianmother).

In the process, I learned how to make leather-on-leather tattoos, used the laser cutter for the first time, hand-cut till my hands were sore, learned how to put rivets, and was taught about vector lines and patterns in lllustrator by my wonderful, patient students.
Thanks to student feedback/critique (which was extremely positive about the artifacts :)) the board could use one more ‘pass’ as far as fonts and background, but I wanted to post this now, as the show is coming to a close.

While researching case studies, I was astonished by the amount of cool accessories, arm bands and earrings made with recycled bike tires and inner tubes.

Etsy, here I come.

 

Here are some photos from the Action|Reaction opening, by Donn Angel Perez, the curator of the show (and author of the beautiful paintings shown), along with student Chuck Wilson

For the opening- in keeping with the recycled/sustainable theme, and to save time 😉 – I projected my board.

 

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…….

littlescreenshot <<<and this, this little guy on my desktop just makes me happy.

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Shift #5

Ali Liebegott

for Seamus Heaney

 

 

a box of coconut water
two cans of coconut milk

so many looking for help

some people care when a poet dies

a poem is a conscience
a report card, a confession:

today my lies were a motor that spun the Earth

how can you get truth from a hill
when I am the continent that drifts?

how can I taste what I’m mourning
when soon everything will be salt from the sea?

 

—8/30/13, Register 6
1 PM—5:15 p.m.

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