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Posts Tagged ‘Calalunga’

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Gianni Aiello. Self-Portrait of the Artist as a Young Man. 1970’s. Italy.

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Gianni Aiello (Papa’). Liguria, Italia. Possibly 1972.

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Gianni Aiello (Papa’) with cousin Giuseppe, next to the fishing shack La Baracca. 1972 (to be verified;))

As promised months ago (ehm), finally, the  series on my larger-than-life father, Gianni Aiello, begins.

My father is the son of a fisherman, and his life is the sea.  He is a true Calabrese, wandering about as a young man but returning to settle in his native land, by his Ionian shore.  After helping his father as a teenager, he became a policeman and an athlete.  At 22 he was shot in the line of duty during a hostage siege on the island of Sardinia.  A series of operations on the right side of his jaw left him scarred and looking like one of the bad guys.  Later, in his thirties, he and his Swiss brother-in-law, zio Marco, started a motorboat shop and storage plus Suzuki reseller.  Whenever i think of the officina each summer I smell fiberglass and see my dad, tan and shirtless in the sun, lifting concrete deadweights, putting outboards to water, and sometimes building boats from resin shells brought by the sea.

Always working with his hands, never far away from his sea, and returning to his passion off-season : fishing with traditional nets.

As a young policeman in Venice in the 60’s, my dad crashed art classes at the Accademia and hung out with artists and misfits.  I collected here the paintings from his youth that are still in the house where he grew up.  He lives there, beachfront, near the fishing shack his father built and that he turned into a work of art (more on this later).

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Gianni Aiello. 1970’s. Venezia. Italy.

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Gianni Aiello. 1970’s. Venezia. Italy.

Throughout it all, my dad is drawing boats, boats and fish, boats and fish and fishermen (my grandfather used to do the same on the edge of the newspaper). He is carving boats out of olive wood, making miniature fishing boats, and painting boats. He is constantly making or repairing stuff: cleaning and mending the nets, repairing the motor of his WWII Jeep ‘the Americans left’ , or adding to his living art installation, the fishing shack, or Baracca, of which I shared glimpses here (as it was) , here and here, and that stops tourists in their tracks. He is adding hand carved kitchen utensils for the house on the hill, or scavenging old farmhouses for vintage furniture, when he is not working on his fishing boat, Elena.

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Gianni Aiello. 1977.

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Gianni Aiello. 1978.

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Gianni Aiello. 2000’s. Calabria. Italia.

He is a busy craftsman – I am sure by now you can gather Gianni is a character.  He is a fisherman, a painter, a drawer, a sculptor, a designer and a coffee maker.  Above all, he is a dreamer, even though his gruff side would balk at this. The whole library of my adolescence was made up of books that made my dad, and, in the frontispiece there would always be a page of his diary, part of his itinerant memoir.
Sometimes he would mention a woman, or life on the road.  Sometimes he would copy a poem, or write to himself.

One time he wrote to me, when I was one year old – he was (only) 30.

They were revolutionary books and novels of magical realism. One Hundred Years of Solitude, Bernard Malamud, the Anarchist Black Book, Roots, Black Boy, Mao Tse Tung’s Red Manual, Hemingway, Garcia Lorca…so on and so forth.

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Gianni Aiello. 1970’s.

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Gianni Aiello. 1975.

My father doesn’t paint on canvas or draw on paper these days, but his whole world is art, full of sculpture and artifacts.

Whenever I visit home, I ‘make’ my dad draw me something for my collages or prompt him to start on some art project. Inevitably, we end up collaborating…here, here and here  .  For years, these times were the only way we could spend hours together without arguing.  Even though my dad would tease me when he saw me with my sketchbook (do you make any money with that?) he was always happy do art with me.
Today, he is used to see me going to work cutting up magazines while we watch Italian drama…  and he even offers suggestions.

In December 2011, my mom, dad and I were in Milano for the Holidays and one day my dad announces: “Let’s go buy some paints!”. It was a happy hunt through the half shuttered down city. This is the result:

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La Baracca del Bucaniere - Fisherman's Shack - The Kitchen. Graphite and watercolor. Calabria, Italia. September 18, 2013.

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Black and White Figs. Graphite and watercolor. Calabria, Italia. September 18, 2013.

The fastest drawings, right before leaving.
So many watercolor sheets to fill, and beautiful travel magazines to cut up for my collages.
I had to leave them behind and go…
Until another summer.

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La Baracca del Bucaniere, Cucina. Graphite. Calabria, Italia, 2013

Few days ago I started this drawing, which I am hoping to finish in the morning. It’s time to pack and head back to my California.

I take with me many images, sounds, voices, messages…my metaphysical bag is always full after such extended trips to Italy, my home.

As a promise of things to come, I have been working the past few days on many posts that will feature the work of my father, my father the fisherman, painter, drawer, sculptor and designer.
My rugged, difficult, wonderful, talented father.

Then I have few posts on Calabria, my beloved and challenged Southern Italian region- sorting through three years of photos has been both grueling and rewarding.

Lastly, dispatches from my travels to Buffalo, New York City and Santa Fe.
The whole organizing effort has been quite the task.
This is the price for not posting enough this summer ;/

I always like to alternate drawings and artifacts to photography, so I offer today this humble work in progress which will become a watercolor.

Yesterday I was talking about sketchbloom to my friend Annamaria, who is a an apothecary with a lovely herbal store (erboristeria) in my little Southern Italian town.
Her store is called Radice Nuova or
New Root.
I was telling her that the days I do not share and make my art I feel I am neglecting a fundamental part of me…
‘as though you are not watering the plant’, she finished my sentence.

In fact, behind the stage,  in darkness and silence, seeds are growing and blooming…thoughts and ideas are taking roots. Philosophy lessons, Japanese pillow books. Russian classics, Italian troubadours of the anarchic 60’s…this is the water I have been drinking this summer.
And time, alone and together, time for many coffees with my father, time for night yoga by the sea, full moon, with my mother, time to pick figs and grapes, time to work and to rest, time to spend with beautiful friends of youth and the soul, family time with my people, time to fish, time to swim and soak, meditate, in the sun, time to write, think and renew, time to listen to Italian music and reconnect to my roots, time to love hard, time to read.
Time to finally have time.
Always time that processes, metabolizes and purifies..time that brings strength and clarity.

Above all, I am thankful for the time this summer to be, think, live like an artist, to make and organize art, storing things for the winter of the soul.

Leaving California is exciting, especially when I get to use my passport, but returning, having filled my eyes, mind and spirit elsewhere, always means new beginnings.

I travel to remember (Southern California is light, has neither memory nor regret…nothing like the weight of the past felt in Italy), and return to forget
— and live in the Now.

I always said it,
the year starts in September.

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Graphite on Grumbacher paper. Calabria, Italia. August 2013.



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We interrupt this broadcast due to a bout of homesickness and wanderlust.

The Pacific is, to paraphrase Coleridge, ‘ Water, water everywhere (and not a drop to swim in)’.

I miss my home.

Exhibit A: My home in Milano.

Exhibit B: Calabria, small harbor with 'historical' outdoor nightclub attached, Blu '70.

Exhibit B1: As if it weren't enough, there is an(other) outdoor club in front this rock (Pietragrande), considered one of the most scenic in Europe.

Exhibit B2, Calabria, the coastline near my house. Tomorrow morning, this is how it will look, and August is the hardest month to be away.

Sit down, let's have an iced, sweet espresso. Hear the music.

Let's take the train next week, go to Firenze, we can stop by Venezia, certainly. Do you remember that olive bread?

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