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The Sun, the Moon, and on there being no abstracts in life. Pencil, ink, watercolor on 4"X5" canvas.2009

The Sun, the Moon, and on there being no abstracts in life. Pencil, ink, watercolor on 4"X5" canvas. 2009


Looking For Your Face

From the beginning of my life
I have been looking for your face
but today I have seen it.

Today I have seen
the charm, the beauty,
the unfathomable grace
of the face
that I was looking for.

Today I have found you
and those that laughed
and scorned me yesterday
are sorry that they were not looking
as I did.

I am bewildered by the magnificence
of your beauty
and wish to see you with a hundred eyes.

My heart has burned with passion
and has searched forever
for this wondrous beauty
that I now behold.

I am ashamed
to call this love human
and afraid of God
to call it divine.

Your fragrant breath
like the morning breeze
has come to the stillness of the garden
You have breathed new life into me
I have become your sunshine
and also your shadow.

My soul is screaming in ecstasy
Every fiber of my being
is in love with you

Your effulgence
has lit a fire in my heart
and you have made radiant
for me
the earth and sky.

My arrow of love
has arrived at the target
I am in the house of mercy
and my heart
is a place of prayer.

–Rumi

from  http://jaibhakti.blogspot.com

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Cappuccino a Giubbe Rosse. Piazza Repubblica. Firenze. Photograph. Nokia phone. 2007

Cappuccino a Giubbe Rosse. Piazza Repubblica. Firenze. Photograph. Nokia phone. 2007

When I was six years old I had a journal for notes (‘dediche’) my classmates would write me at the end of the year. It was a sort of summary of the things they liked (or did not) about me. We don’t have yearbooks in Italy (or proms, or school mascots- or cheerleaders). We just study. The seriousness of the Italian school system is reflected in these sober writings, coming from first graders.
Children’s greatest gift is honesty, and my dediche range from innocuous/benign to decidedly prophetic (your rambling result in interesting information sometimes), to right down ambivalent (I like you when you are nice to me. I don’t like you when you don’t share your comic books).
They are a treasure to hold.

Well, on the cover of this little journal there is a quote, a simple quote, I have always loved:

There is a rose in memory’s garden
That grows because of you,
And whenever my heart wanders there
Then that rose blooms anew.

The rose that blooms constantly for me is the memory of my magical year in Firenze.
There is a caffe’ flanking the expanse of Piazza Repubblica– a large square situated on the site of the ancient Roman forum: Giubbe Rosse.
Giubbe Rosse has been called a ‘a forge of dreams and passions’, and is an historical literary cafe’ opened in the 1900’s, with important ties to artistic movements such as the Italian Futurism. The waiters wear red shirts in memory of Garibaldi’s Red Shirt army , a symbol of liberal Italians (this was before red was associated with communism).

Giubbe Rosse was where my classmates and I would congregate, late at night, to take a break from architecture, sip the delicious cappuccino (the best in Florence) and sit outdoors, contemplating the starry florentine sky, the palazzi surrounding the square, the poignancy of time inexhorably ticking by.

I miss squares. I miss the feeling of being enclosed by the city. American cities are made of streets, avenues and boulevards. Not squares. Energy flowing, never resting. Restless? I have longed for the contemplative feeling of a piazza, the restful period at the end of streets like sentences. Perhaps the lack of squares means that american streets are sentences with no periods. Stream of consciousness cities.

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Starshaped. Digital Art- Photoshop(2001). Revisited 08.09

Starshaped. Digital Art- Photoshop(2001). Revisited 08.09

F R A G M E N T S is a series that I am starting to ‘salvage’ pieces of artworks in my digital trunk.

I sometimes find old artwork that, while it may not work perfectly on the whole, still contains interesting textures or details. The image above is part of a larger digital piece I did in college. It is a poem i wrote: #1.  Eventually these  fragments could all be composed in a collage of their own.  Salvaged Art.

I have also been reading and researching  art and design blogs, and learning about writing copy (especially here on copyblogger ).  Copyblogger inspired  me to write in short, incisive sentences ( Hemingway style).   As for the deluge of design and art I indulged in, it Really made me understand what is ‘delicious’ to the eyes!

The amount of incredibly talented folks out there is source of enormous inspiration, and  I have been compelled to start my very own blogroll to pass on the love 🙂  Speaking of inspiration, you probably know that the term “inspired” comes from the latin inspirare, to breathe in or unto.  But , did you also know it  has roots in the Greek word Theopneustos which means “God breathed” (Theos, “God,” pneo, “to breathe”) ?   Both ‘passionate’ and ‘enthusiastic’ have similar soul connections.   All art has spirituality, in one form or another, as its source.♥

Completely unrelated, or maybe not:  I recently found a quote that really resonates with me –from the title of a  current marketing book, of all places:

‘Stop being perfect and start being remarkable’.

How many perfect people do you know that stay unknown?

Then think of the greatest artists, or architects, or even the greatest people you know:

are they perfect,or are they remarkable?

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Queen Califia's Garden, Totem/Sculpture. Ink, color pencils and markers. 2009

Queen Califia's Garden, Totem/Sculpture. Ink, color pencils and markers. 2009

Recently I had the chance to revisit one of my favorite places in Southern California, Queen Califia’s Magical Garden by Niki St. Phalle, which is located in the Kit Carson Park in Escondido.

The sculptures and the garden are breathtaking and the setting -within Escondido’s botanical park- makes finding the garden a bit of a treasure hunt. And what a treasure it is.

Niki St. Phalle’s sculptural garden is one of the few such structures in North America. It is dedicated to Queen Califia, the mythical black warrior queen of an enchanted, bountiful island- inhabited only by women- described by a 16th century Spanish novelist.  It is said that one of the first Spanish explorers to reach California, proclaimed it to be ‘Queen Califia’s land’ (California) due to its bounties and lush vegetation.

Niki, who recently passed away, was a French American artist famous for her Nanas, voluptuous, gigantic female figures reminiscent of earth goddesses. Her application of mortar and tiles in organic mosaic patterns reminds me of Antoni Gaudi, and his benches in Park de Guell.  Few of Niki’s works can be found in San Diego: nanas in Balboa Park and a monumental piece by the Convention Center.  Niki came to La Jolla to recover her health, which was poor due to years of exposition to toxic art materials. Rejuvenated by the balmy ocean breezes, she fell in love with California, her oceans and her deserts. She dedicated Queen Califia’s Garden to California and to children. The garden is a place where the public is encouraged to interact with the art, and the inspiration -and craftmanship- are incredible.  Niki did not live to see the Garden completed.

During this visit I was able to do a rendering of one of the sculptures, part of a series of marker and pencils exploration.  I would like to eventually draw each ‘totem’ and put them together in a poster, postcard, or stationery set:)

Below are some photographs – part of a shoot from a previous visit. The ones in the gallery can be clicked and enlarged. You will see that some of these photos are by Amina Alkandari…Thanks go to her for letting me borrow some of her beautiful work.

Queen Califia. Detail. Photograph. August 2009.

Queen Califia. Detail. Photograph. August 2009.

picture-1093

Queen Califia. Detail. Photograph. August 2009.

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Terragni, Casa Del Fascio, Como, 1932

As part of the exploration in coloring with coffee, I wanted to experiment with overlaying digital sepia tones to previously drawn sketches.  The building above is Terragni’s Casa Del Fascio. Terragni is often overlooked as one of the pre-eminent modern architects in Italy, mainly because it has been hard to separate his architecture from the political regime of the time. Taken on its own, though, this building is single-handedly one of the most fascinating works of architecture in Italy –and the most illuminating example of Italian Rationalist architecture– due to its play of extruded volumes, transparencies and honest use of materials.

In 2003 none other than Peter Eisenman published an opus forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques, a thorough analysis of this and another work by Terragni, Villa Frigerio. Thanks go to Raul Diaz, AIA, for telling me about this book.  Surprisingly (or should I say, not surprisingly, the author being the controversial Eisenman), the book garnered very mixed reviews by readers on Amazon.  Nonetheless, the fact that Eisenman spent forty years focusing on the Casa Del Fascio speaks volumes (pardon the pun) on the work, mind and intellectual acuity of this Italian Rationalist.

I had the fortune to visit this building in the Spring of 2007, on the same day that I saw the Mausoleum of  Antonio Sant’Elia (Architect of the Italian Futurist group).  The sketch below is an example of what happens when graphite drawings are scanned: the original had much more contrast and much of it-along with the ‘life’ of the drawing- was lost in the digital translation.

I therefore bumped up the contrast in Photoshop and played with sepia tones and shadows. A great way to make a sketch presentation-ready. Another way to gain some layering would be to layer via-cut the body of the building, and subtract the volumes on the upper floors (the indoor-outdoor spaces).  By playing with the blending options of this new layer, new shadows could be cast, which would give a three-dimensionality to the sketch.

Casa Del Fascio, scan of original sketch (notice loss of contrast), Como, 2007

Casa Del Fascio, scan of original sketch (notice loss of contrast), Como, 2007

Casa Del Fascio, contrast corrected thru Photoshop, Como, 2007

Casa Del Fascio, contrast corrected thru Photoshop, Como, 2007

Casa Del Fascio, Sepia color with Photoshop, Como, 2007

Casa Del Fascio, Sepia color with Photoshop, Como, 2007

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Capitalist Collage, Digital Media. July 26, 2009

Capitalist Collage, Digital Media. July 26, 2009

UPDATE: Great timing. NYT just published an article on Polyvore 11 hours ago! The site will now get a lot of attention. You know you heard about it first here;)

This collage was created with Polyvore, an online tool which allows users to compose collections using everyday objects of consumptions.   More than a game, some of the works result in interesting examples of digital collaging techniques, composition, and graphic design.  In some instances, interior architectural illustrations have been created.

I experimented with the application and, although this collage exceeded the 50 objects limit- and thus could not be published, I was allowed to complete my work. By using ‘printscreen’ I was able to have a copy. The idea of using objects as paint came to me after seeing the way objects are categorized not only by type (bags, dresses, etc.) but also by color- and there are about 70 colors available. Here is a snapshot of the color ‘fuchsia’:

Polyvore  - Dashboard

Polyvore - Dashboard

The software/application is designed to allow users (usually females) to create ‘spreads’ of objects such as those seen in popular fashion magazines, reflecting one’s taste and ‘style’.  The application is built well and is fairly user-friendly:  it  has definite potential for artistic expression and original creations. The text tool is also really versatile and yields results which are, at times, beautiful.  A cross between a simplified version of Photoshop and the customization tools of Myspace, Polyvore ‘sets’-as they are called- trigger questions on whether some of the resulting work could be rightfully called ‘art’ (what is the difference between using this tool and cutting  images from magazines by hand and collaging them)? An artist I read about years ago became famous for creating micro-worlds and  fully furnished ‘homes’ by painstakingly cutting and collaging from glossy magazines and newspapers. Could Polyvore be a way to do the same, but digitally? And, as in everything, is the creativity lying with the user or with the creator of the proprietary software? We have had the same conversation for years, among architecture professors, on the differences between drawing by hand and drawing on the computer. Michael Webb (thank you to my colleague Gregory De Peña for passing this on) writes:

A case can be made that a drawing produced by a computer,or rather, by fingers that are instructing a computer to produce a drawing, is part of a joint effort…that is, the skills of the person, to whom the fingers are attached, are combined with the truly remarkable skills of those original designers of the program being employed.

Thinly disguised is the fact that Polyvore  is nothing but a cunning media for advertisement. By browsing through the shopping categories, users are exposed to the price and website where each object showcased is available for purchase. Few click of the mouse and a credit card, and the object is acquired.
I was very interested in studying this game/art tool and its agenda.

In the best of scenarios, Polyvore offers a creative outlet for women- a digital take on the classic ‘paper doll’ game.
In the worst, it is part of the advertising machine. It is up to us to decide.

Here is an example of some of the site most creative work, also here. Naturally, I find myself drawn to collages about environments, shadow boxes and painting-like works. The environments speak of space, and offer a novel way of thinking about architectural renderings or photocollages normally composed in Photoshop. Design and fun.

I have not spent too much time analyzing the demographic, but it seem a truly fascinating social trend, specifically where the tool has been used for political reasons (Iran collections), or as sort of illustrated letters, manifestoes and visual status updates. Collections are also made as gifts.
On a side note, I do believe that the tool is not more popular- despite its originality and versatility- due to its name, which I find unfortunate and ominously medical-sounding. Polydent anyone?

Incidentally, as I was composing the collage, Giuseppe Arcimboldi came to mind.
He was a fellow milanese.

As Shelley Esaak notes in arthistory.about.com:
‘Submitted for your consideration: Cubism, 350 years ahead of the official movement’…by an Italian:

(for more click here)

Giuseppe Arcimboldo- The Librarian (Wolfgang Lazius)

Giuseppe Arcimboldo- The Librarian (Wolfgang Lazius)

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Fargo

Appreciate the beauty

of stacks of firewood.

Or the sounds of tall, tall trees

Their leaves glistening like tambourines,

coins on a woman’s collarbone.

Say silent thank-you’s for the clouds

The majesty of their shadows

-on canyons and Badlands-

some people never fly above them.

The air fresh like a new day,

carrying the faint smell of beets-

earthen work done by honest men.


Travel to see yourself from far away.


Fargo, July 20, 2009

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Starry Sky Mosaic- Queen Califia's Garden, by St. Phalle, Escondido, CA

Starry Sky Mosaic- Queen Califia's Garden, by Niki de Saint Phalle, Escondido, CA

Your sounds
Your presence
A starry-skied cathedral
You do not inhabit a space.
You illuminate it.

Miti Aiello
 

San Francisco,           
June 25, 2009

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image courtesy of photobucket.com

image courtesy of photobucket.com

To the Moon

Moon you are sand.

Moon you are the sweet sultry night breeze that cools skin,

Dances with the crinoline curtains on my roof,

Where I sit and think,

Sending sweet-flavored spirals in the air–towards You.

The City skyline falls,

Someone is playing the oud near.

The cafes fill with light and music

…and fragrant coils,

become an oil painting.

Although I sit here

Among damask pillows

Waiting for your rising

Love,

You are Always.

miti

san diego|nov.20,2007

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No Thanks - Fall 2007

My portfolio albums:  please click on the tabs on top of the page for my in-progress portfolio of work.

Drawing

Painting and Collages

Photography

Check back often as I am digitizing all my work:)

…this is a Long awaited moment.
I wanted to have my small corner of the online galaxy since 2002, and I feel I am finally getting there. There is a pain in opening up and letting go, but the inevitability brings joy and the freedom to stand up to who you are, to who you are meant to be. I always saw myself as an Artist, in a sense or another and those who know me know I love many things.
I do not have a unified style, or method, or technique etc.

I am just very curious, and can be pensive and observing.
I am also sure I can be blind to details, or stubborn… but there are moments when I see my work and I know I want to capture these moments of light, of life….forever.
I know that I want to write poems, or thoughts, or musings all my life- and be surrounded by friends who can encourage and guide.

Ever since I went to the Huntington Gardens a part of me has awaken, a part which was denied for so long.
I am SO thankful for the having the opportunity to teach Art (History), to a group of upstanding, caring gentlemen (yes -they are all guys) architects who have motivated me and awed me with their insight. thankyou for the kindness and the patience.

Also I want to mention my heroine as of lately: Artemisia Gentileschi. Listening to her story and the sacrifices she was willing to make in order to follow her calling inspires and motivates me. She is a muse and an angel.

I know I may never be able to be an artist full time, because I love architecture, and I love teaching, and I have perhaps interests too diverse to be packaged in a neat little “promo”, but I want to continue to explore and share. thankyou for being out there in the ether. The portfolios are for all the work up to now- new work will be published as new post.

I would LOVE to hear your comments.

PS I am ‘keeping away’ my architecture projects/portfolio…all that is for a separate, more structured website I am working on.

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You can find my little book
here

Let me know if you want a copy.

Once I have enough funds, I will start distributing it in local coffee houses.

Love and Light

sleep on my heart - cover

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Sketchbloom is a place for poetry and art.

Art can take many forms, but I believe the common denominator of all those human endeavors we  define as art is its ability to enlighten our soul and define another face of Beauty.

Creativity happens when heart, mind and soul are working in unison and- and I believe this is important- mindfulness is practiced.

Mindfulness is simply being in the moment- with your whole being.

It means being focused on the present (here and now), sometimes, even laser-like focused.

I wanted to create this “place” to share my poetry and art with kindred spirits, to show work in progress and as a way to inspire me to always keep on creating.

Today was the day where it became harder to be “tight in a bud than blossom”, to paraphrase Anais Nin.

It is so difficult for artistic minds to focus on one thing only, for our greatest gift is to see the world holistically.

We also tend to love so many things, but experience has taught me to “do one thing (at a time). do it well”.

This requires discipline and , most of all, knowing ourselves and what works for us to realize our vision.

My passion is art-making, photography, and writing, sometimes poetry–sometimes just my thoughts. I am in love with music, all kinds, for music is portable art!

I believe one of my callings is to share knowledge, so this is also a place for books and learning, of all sorts.

I am passionate about books and especially, about books that can inspire artists to create.

One of these books is, of course “The Artist’s Way”, but I found helpful also “” Eat Your Frog”–which is a book about procrastination.

I am sometimes guilty of the latter, as are the most talented, brilliant people I know. It could be read as perfectionism.

One of the tips that really helps me is to set aside a large chunk of time to one project and trying to keep my borderline-ADD (which comes from being an artist;)) under control.

Removing ourselves from usual settings also works.

We all work in progress, as I see it. There will be times of brilliance and there will be times of falling.

To me, this”place” ( i like the world “place”, better than “blog”) is also a way to keep myself accountable, to “keep showing up” to my Art.

I wrote a book of Poetry and Art in 2007 and meant to publish it in 2008. It did not happen. But It does exist online, and I will share it here.

I also have a book to write (on my long “to-do” list) and memories will start fading if I do not tackle this soon.

I used to think that Art happened only when I painted or sketched, but lately I appreciate the time for photography , which an art that can happen everywhere, and digital art.

I work on the computer a lot, and it seems only natural.

It does not matter what the product ends up being, as long as we keep the creative part of us alive and protect the time for soul-inspiring work from the endless day-to-day errands.

It is a precious gift and requires dedication, even stubborness. Your errands will expand accordingly to the time available, so make time for art.

Of course I am telling this more to myself than anyone who might be reading.

Thank you so much for coming to my “place”.

There are lots of good things to share.

Welcome

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