El Templete, Habana Vieja (with water from the Malecon). Ink on hand.book paper. Habana, Cuba. April 2012.
Example of Moorish (Mudéjar) Architecture in Habana Vieja. Ink on hand.book paper. Habana, Cuba. April 2012.
….
“Music is a total constant. That’s why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment.”
Favorite drawings, paintings, collages and handwork on SketchBloom
Queen Califia’s Garden, Totem/Sculpture. Ink, color pencils and markers. 2009
Casa Del Fascio, contrast corrected thru Photoshop, Como, 2007
Miniature Pomegranate. Watercolor on chocolate wrap. Kuwait. January 2010
Ink on Paper. December 2010.
Ink on Paper. December 2010.
Coffee Carrier (delle). Graphite on paper. Kuwait. January 2010
The Fortress of Lost Time. Graphite on paper and magazine cutouts. December 27, 2010. Miti and Gianni Aiello.
Platonic Solid Exercise. Graphite on Paper. 2007
Ink on hand.book paper. Paris, 2011.
Pilot pen on paper. January 2011
Pencil and Watercolor on canvas
The funambulist. Ink drawing + digital collage. August 2011.
Pilot Pen on Paper. November 2009
Watercolor and Graphite. November 12, 2009
Collage, Pilot Pen on Paper
Twomoons Wax Proof-modeled after concept sketch
Earth and Water. Beads and yarn. June 24, 2011
Ink on Paper. Calabria, Italia. September 29, 2011.
Mare Mosso Act II. Graphite drawing by Gianni Aiello. Collage. March 18,2011
Dr. Gregory House. Watercolor on Paper. June 3, 2010
Graphite on paper and magazine cutouts. December 27, 2010. Miti and Gianni Aiello.
Barcelona Chairs by Mies Van De Rohe, 1929 @ the CED Library in Berkeley
Final Twomoons Piece, Summer 2008
Earth Henna, Eucalyptus Oil. May 2, 2010.
our very own coffee cart @ NewSchool: Cafe’ A la Carte
Felt tip on paper. March 22, 2011.
Watercolor on paper. June 3, 2010
Ink on Paper. September 2009
Ink on tracing paper. Kuwait, January 2010. The scene at the bottom is what I saw-or decided to see- at The Avenues, the most popular malla in Kuwait City. There is nothing like seeing photography and drawings from a trip abroad to make you realize all reality is subjective, and we choose to see what we want to. We just don’t realize it in our own backyard.
July 27, San Diego Museum Of Art. The Age of Enlightenment – Gabrielle Emilie Le Tonnelier de Breuteuil, Marquise du Chatelet by Yinka Shonibare- Ink on hand.book paper
Ink and watercolor on paper and tracing paper. A bit of digital manipulation. Feb. 09,2011.
Mare Mosso Act III. Graphite and pen drawing by Gianni Aiello. Collag and pastel. March 19, 2011.
Baggalini Red.
Concept for jewelry piece ‘twomoons’
Persimmon- very quick pastel rendering. November 12, 2009.
The Sun, the Moon, and on there being no abstracts in life. Pencil, ink, watercolor on 4″X5″ canvas.2009
Waiting for Godot | Static Head. Digital Collage. May 5th, 2010